An updated take on Lucifer’s Hammer, Claire Holroyde’s The Effort speculates that it (still) wouldn’t take much for civilization as we know it to collapse and our world to descend into chaos. In the case of The Effort, it’s a large comet that is on a collision course with our planet. Holroyde bounces between multiple characters in the story, from members of a team, tasked with finding a way to save the planet from destruction to those dealing with civilization as we know it falling into chaos as some of humanity’s more base tendencies toward self-preservation kick in.
Like Lucifer’s Hammer, I found myself slowly starting to root for the cosmic calamity to befall the planet and start getting rid of certain characters, chief among them the head scientist Ben. Ben’s worst tendencies include not allowing members of his team to manifest any physical appearance that time is passing and his lack of consideration for those he doesn’t consider of immediate benefit or impact to the group trying to find a last-second way to save us all from destruction. Continue reading
Have you ever got to the end of a book and wondered — what the heck did I just read?!?
If not, then you might want to pick up Sarah Pinborough’s Behind Her Eyes because it’s got one of the most WTF endings I’ve read in quite some time. In fact, the ending is so WTF, that any conversation about the book is going to naturally have to go into detail about it. You are suitably warned.
When single-mother Louise meets David in a bar, the chemistry between them is electric. But, he’s married, so Louise ends up not pursuing more than a semi-drunk flirtation with him. Things get a bit more awkward when it turns out that David is the new doctor at the counseling clinic where Louise is employed part-time. Despite a conversation in which both of them declare that seeing each other is a bad idea, the chemistry continues to be there.
Things get even more complicated with Louise runs into Adele, David’s wife. The two strike up a friendship, though Louise conveniently omits that she flirted with Adele’s husband and that she and David have started an affair (apparently behind Adele’s back, though the first-person chapters from Adele’s point of view make it clear that she not only knows about this, she’s also manipulating both sides for….well, more on that later).
If you’re thinking we’ve even reached the depths of the WTF, we aren’t even in the same zip code yet.
Through flashbacks, we find out that Adele has an interesting past — her parents died in a fire, she’s wealthy but she’s signed over all her money to David, and she spent time getting mental help while David was in college. It’s at the institution that she meets Rob, who she gets close to during her time. They get so close that Adele invites him to come to stay with her should Rob’s family kick him out if and when he backslides from his drug habit.
If you’re wondering who Rob is and why Behind Her Eyes keeps flashing back to him and turns over a good bit of the novel’s real estate to him, the answer becomes clear in the final pages. And it’s once the answer becomes clear that the question of whether or not you love the novel or want to throw it against the wall in frustration will be answered. Continue reading
What if I told you there was a Doctor Who serial written by the great Robert Holmes in which the presence of the Doctor and his companions wouldn’t alter the outcome of the story one bit?
You’d probably think I was talking about the classic serial, “The Caves of Androzani.”
And you’d be correct.
But I could also be talking about “The Space Pirates,” Holmes’ second offering for the series.
At this point in the Patrick Troughton era, scripts kept falling through and there was a behind-the-scenes scramble to get something on the screens to fill time. And “The Space Pirates” sure feels like it’s doing a lot of filing time over the course of its six episodes.
The story has a pretty dodgy reputation among Doctor Who fans. Part of that is that the single surviving episode features the Doctor, Jamie, and Zoe locked in a room with little or no impact on the story unfolding. Another part of it is that there’s a lack of visual materials to go with the surviving audio, making viewing the telesnap version of this story a bit of a slog at times. Continue reading
Today’s Top Ten Tuesday (hosted by That Artsy Reader Girl) asks us which books are on our spring TBR list. Here’s a list of what I hope to get to this spring.
- Later by Stephen King
- Project Hail Mary by Andy Weir
- Doctor Who: Dalek by Rob Shearman
- Our Dark Duet by Victoria Schwab
- We Shall Sing a Song Unto the Deep by Andrew Kelly Stewart
- Shooting Midnight Cowboy: Art, Sex, Loneliness, Liberation, and the Making of a Dark Classic by Glenn Frankel
- Rabbits by Terry Miles
- Dune by Frank Herbert
- Foundation by Issac Asimov
- The Only Good Indians by Stephen Graham Jones
- Battle Ground by Jim Butcher
- The Lake Wobegon Virus by Garrison Keillor
Sarah Beth Durst’s latest stand-alone fantasy novel offers a unique magic system, some quirky characters, and a fantasy-take on the “getting the band back together” story.
Years ago, five heroes defeated the evil Elkor and went their separate ways, becoming the stuff of legend. Twenty-five years later, Kreya’s legend has become a bit darker — she lives alone in a tower, keeping alive her husband (who died in the battle) through the use of dark and illegal magics. Increasingly desperate to find a source of human bones to cast the spells and give her just a few more hours with the love of her life, Kreya hatches on a plot that will eventually involve her old crew getting back together.
Of course, there’s a reason some bands break up. And as the band gets back together in The Bone Maker, Kreya come to realize that maybe they didn’t defeat Elkor as utterly as the legends say.
There aren’t many times when it comes to fantasy novels that I wish the author had extended a series. That isn’t necessarily the case with The Bone Maker. While Kreya gets solid character work, the rest of the crew doesn’t feel as deep or as well realized. I kept wondering if Durst might have been better served by making this a duology, allowing us to have a bit more of an investment in the characters.
It would also give us a chance to enjoy her well-realized magical system. I enjoy fantasy where there are limits or consequences to using the magical system and that’s the case with what Durst has realized here.
The Bone Maker offers an intriguing magical system, some dark character takes and is a stand-alone fantasy that left me wanting just a bit more. An overall success and one that has me intrigued to give some of Durst’s other fantastic worlds a try.
I received a digital ARC of this book in exchange for an honest review.
I’ve been rewatching Battlestar Galactica lately and one thought keeps jumping into my head each time I see the words “And they have a plan” flash onto my screen. Would the series have been better if Ronald Moore and company hadn’t promised us that the Cylons had some type of plan behind what they were doing? Would not having the promise of a lot of huge revelations and some kind of overarching plan behind everything happening to the last remnants of humanity have been better when the series finally reached its endgame?
That thought had been on my mind a bit leading up to my viewing of the series finale of WandaVision. After two months of intense online fan speculation, the finale’s director had come out and warned fans the finale might not answer or address every question being raised in multiple online forums.
And with rumors swirling that we’d get a big-name guest star for the finale and Disney releasing a promo featuring Doctor Strange in it, it was hard not to elevate expectations to levels that virtually no finale could expect to live up to.
And then, WandaVision did something unexpected. It tossed all those expectations aside and delivered the finale this series needed. We didn’t need an answer to every single question. We didn’t need a big-name cameo from the MCU to justify this show’s nine-week run. Instead, what we got was a show that focused on its two title characters and the impact creating and then taking down the reality Wanda created would have on them. Continue reading
Following last week’s revelation that it was “Agatha All Along,” WandaVision takes a few moments for the implications of that to set in a bit and bring those of us who don’t have every nuance of Marvel Comics continuity memorized up to speed.
In the prologue, we learn that Agatha’s powerful and has been around for a while now. I have to think that Agatha having to battle her own mother in the 1600’s left a few unresolved issues for her – and that could be what we’re seeing play out now. Agatha’s fascinations with what makes Wanda tick and what led her to become so powerful was fascinating and played out well over the rest of the installment.
And I found myself feeling a bit more sympathy for Wanda this week — especially with the backstory that she finds comfort in sit-coms. As a person who has his comfort food bits of pop culture (Doctor Who, classic Star Trek, Happy Days), that I will go to when I’m feeling down or just want a distraction from the world, seeing that Wanda escaped into the sitcoms she’s brought to life was a nice touch — even if the timeline doesn’t necessarily add up for her dad to have Malcolm in the Middle DVDs. I did find myself wanting to watch the episodes that are referenced in the episode just to find out if there is any greater meaning to them. I also can’t help but think that Wanda’s creation of the “perfect” family inside the Hex is some kind of wish fulfillment for the perfect family she’s never seemed to have in real life. Continue reading