TV Round-Up: The Orville: Command Performance

While “Old Wounds” introduced us to the universe of The Orville and its characters, the episode really didn’t tell us much about the characters beyond a basic character tic or bio line.

And while “Command Performance” still suffers from many of the issues that played the pilot episode in terms of establishing a tone for the series, it at least tried to give us a bit more insight into a few of the characters. 

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TV Round-Up: The Orville, “Old Wounds”

Based on the promotional material and my expectations of what constitutes a Seth MacFarlane show, I expected The Orville to be a bit more Galaxy Quest than Star Trek.

Turns out FOX took all the “funny” and “zingy” one-liner parts of the premiere and edited those into a (much repeated) commercial for the show.

It’s almost as if Fox doesn’t quite know what kind of show Seth MacFarlane is giving them.

Which could be because The Orville doesn’t seem to know what kind of show it wants to be either. That’s my big takeaway from the first episode, “Old Wounds.”

The X-Files: My Struggle II

After last week’s installment of The X-Files, I was concerned that Chris Carter wouldn’t be able to stick the landing for this six-episode event series.

And that concern, unfortunately, was realized with the muddled mess that was “My Struggle II.”

Beginning things with a voice-over monologue by Scully of things we learned just five weeks ago is not a good sign.   Pile on the typical mythology trope of separating our two heroes for much of the episode and then wrapping it all up with little or no closure and a cliffhanger ending and you’ve got — well, you’ve got a mess that was the final few seasons of this show.

Watching the episode on my DVR, I kept pausing things, thinking — oh great, it’s going to run over and I didn’t pad the recording time enough so that I’ll see how this all winds up.  Except that Carter wasn’t really interested in giving us resolution so much as he was about trying to keep us on the edge of our seats, not give us any answers and then leave us wanting more.   

The X-Files: Babylon

Nobody but the FBI’s most unwanted. I’ve been waiting 23 years to say that!

Ever since season three, it feels like Chris Carter has been trying to compete with Darin Morgan (and later to some extent Vince Gilligan) for the title of funniest X-Files writer.  And every time that Carter has tried to prove that he can be funny too, it feels like his episode goes over a bit like a lead balloon.

It’s not that Carter can’t find humor in things and that he hasn’t done some pretty interesting things to stretch himself a storyteller and film-maker, but I just have to think that going for the funny bone may not be exactly up his alley.

Watching “Babylon” I couldn’t help but think that this was an episode that was trying to on the one hand be funny, on other hand be an observation about our current world and political climate and on another hand, an attempt to set up a spin-off should the schedules of David Duchovny and Gillian Anderson not coincide any time in the near future for an eleventh season of the show.

The X-Files: Home Again

While a lot of the early success of The X-Files can be attributed to series creator Chris Carter, I’ve always felt that the real credit for fleshing out Scully as more than just the “skeptic” to Mulder’s believer came from the pen of Glen Morgan and James Wong.   Looking back on season one, it’s Morgan and Wong who really take the time to deepen Scully into something more than just the woman sent there to de-bunk Mulder’s work.

No where is that more evident in the first truly great Scully episode “Beyond the Sea.”

Interestingly, that’s one of the ten installments that Carter recommended fans visit again before the mini-series kicked off.

And while some fans may have been hoping that “Home Again” was a sequel to Morgan and Wong’s most infamous hour “Home,” I have to admit I was far more satisfied to see this one be a continuation of the character exploration of Scully that began all the way back in “Beyond the Sea” and served as the lynch-pin for the entire series run (even when it went completely bonkers in seasons eight and nine).

The X-Files: Mulder and Scully Meet the Were-Monster

Mulder, the Internet is not good for you.

When it was announced that Darin Morgan was part of the X-Files revival, my interest in the project was peaked.  All four of Morgan’s previous offerings for the show were among my favorites of the series with “Clyde Bruckeman’s Final Repose” ranking not only as my favorite hour of the show, but one of my favorite episodes of television ever.

But even as I was enthusiastic to see Morgan back on the show and had “Mulder and Scully Meet the Were-Monster” circled in my mind as the “must see” installment of the new season, I have to admit I felt a bit of apprehension.  I wondered if Morgan could return to the fold after a break of nearly twenty years and capture the magic again.

Thankfully, it only took the teaser on this week’s new installment to affirm that Morgan was back and that this episode could be something special.

The X-Files: My Struggle

When The X-Files finally closed thirteen years ago, I’ve got to admit part of me was a little relieved.  In the eighth and ninth season, the series had become a pale imitation of the series I loved and made appointment television for its first six to seven years.  The mythology had become so convoluted that I no longer looked forward to it and the stand-alones had become a bit weaker than we saw in the early days.

When news broke that Fox was going to revive the series, my first thought was — please, don’t let me it be as unmemorable as seasons eight and nine.   And the more I heard about who was being brought back for this six episode run, the more intrigued and, dare I say it, excited I became.  Maybe, just maybe this six-episode mini-series could channel the series at its best and find a way to send Mulder and Scully off with dignity and grace.

After watching the first installment of the mini-series, I have to admit the results are a bit mixed.