The best DVD commentaries come when the participants have had an opportunity to perspective thank to the passage of time. It allows for a more honest assessment of what worked, what didn’t work and what could or should have done differently.
Listening to Suzy Favor Hamilton’s Fast Girl, I kept feeling like I wish she’d allowed a little more time to pass before penning (or in this case ghost-writing) her autobiography. Hamilton spends large chunks of the book focusing on the highs she got from first competitive running and later as a high-end escort in Las Vegas and very little (if any time) focusing on the lessons she learned from these experiences or the consequences and/or impact on her life and the lives of her family and friends. While the salacious details of her year as one of the top escorts in Vegas may sell a few books, I walked away from this book feeling like Hamilton left a lot of unexamined issues and questions on the table. Continue reading
I’m not really sure why I skipped Nigel Robinson’s adaptation of “The Time Meddler” during my Target novel collecting days. Whether it’s that the relatively recent release date came with a higher price tag or that I didn’t really appreciate the serial during my teenage years, I don’t quite recall.
But this gap in my collection allowed me to come to Peter Purvis’s reason of the story without my memory cheating on the relative merit of the original novelization.
Coming at the end of the classic series’ second season, “The Time Meddler” is a pivotal point in Doctor Who history. Continue reading
As a re-imagining of the “Table of Time” saga from multiple issues of The Amazing Spider-Man, Spider-Man: Forever Young is a bit of a disappointment.
The strongest parts of the story are borrowed directly from a couple of issues in the Stan Lee/John Romita days of ASM. Filled to the brim with angst for Peter Parker, multiple villains for our favorite web-slinger to contend with and a McGuffin to drive the story (in this case, an ancient tablet that contains the formula for a fountain of youth serum), the first half of the story is entertaining, riveting and chock full of classic Spidey goodness. Continue reading
While Molly Pescan-Suso has experienced 26 crushes in her life, she’s rarely acted on them. Entering the summer before her senior year, Molly yearns to find the right person to share a first kiss with and possibly take things from being a crush to actually being her significant other.
Now, Molly has two possible new crushes on her radar — the popular guy Wil and the fantasy t-shirt wearing, Reed. Which one, if either, will Molly chose makes up most of the drama and teen angst of The Upside of Unrequited.
Becky Albertalli caught my attention last year with the funny, entertaining and thought-provoking Simon vs the Homo Sapiens Agenda. And while Simon has an Easter egg cameo in this book, overall Upside ranks as one of the more disappointing stories I’ve read lately. Much of my frustration with the novel comes from its first-person narrator, Molly. Albertalli tries her best to make Molly self-deprecating about her lack of romantic experience, chalking a lot of it up to a lack of confidence because of her body type. Molly’s own self-image isn’t necessarily the most positive as she repeatedly refuses to believe that anyone else would find her attractive, despite there being signs from that two potential crushes might be interested in more than just being an unrequited object of her affection.
I get what Albertalli is trying to do with Molly and giving us the perspective of someone who is an outsider, looking in at what the “popular” kids (including her own twin sister) are doing. But it felt like Unrequited was getting a bit redundant and hitting all the expected romantic comedy touchstones for Molly instead of giving us an authentic journey for her. In the end, it feels only like Molly comes out of her shell because a boy likes her and not because she realizes that she has inherent worth as a person regardless of her external appearance.
Albertalli fills Upside with a diverse group of characters, many of whom feel one-dimensional. Too many of them feel like they’re summed up by one or two characteristics instead of being fully realized characters.
It all adds up to a disappointing sophomore effort by Albertalli. Maybe my expectations were too high for this one. But I can’t help but feel like this one had potential that it never quite lived up to.
If there has been one glaring omission from the classic Doctor Who Target novels audiobooks line, it’s “The Day of the Daleks.” One of the first serials adapted by Terrance Dicks, “Day of the Daleks” was one of the first Target novels I read (though it was under the U.S. Pinnacle reprint, including the fantastically, ranting introduction by Harlan Ellison) and it’s easily one of the strongest adaptations the line ever produced.
And while I was delighted that the story was finally getting the audio treatment, part of me was still a bit nervous about visiting this old friend from my Target-obsessed days. Could it live up to the greatness associated with it in my memory?
The good news is that it not only lived up to my fond memories of it, it may have even exceeded them. Continue reading
For some odd reason, I never picked up a copy of “The Horror of Fang Rock” during my Target novel collecting days. Whether it’s because the bookstores I frequented didn’t have a copy or there were other books that got my hard-earned cash instead, I don’t know.
So, I came to the audio version of the fourth Doctor and Leela adventures without any memories of the original on the printed page.
And I’ve got to admit, this one was pretty well done. Adapting his own script, Terrance Dicks creates a bit more backstory for some of his characters and gives the reader some context as to the social norms and assumptions of the day. These additions give a greater depth to how some of the characters interact over the course of the novel.
And while his adaptation of “Horror of Fang Rock,” doesn’t necessarily create a larger canvas for the story like “Day of the Daleks” or “The Auton Invasion,” “Fang Rock” still feels a bit more substantial than others from this era that simply feel like Dicks is adapting the shooting script for the printed page.
The audio version of the story adds an extra layer of tension to the already tense story, thanks in large part to the performance of Louise Jameson. While the actress who brought Leela to life has been a fixture in the Big Finish range, this is her first Target novel reading. Based on the work she’s done here, I hope it won’t be her last. Jameson reads the story like we’re gathered around a camp fire and she’s sharing a scary tale with us. Jameson wisely doesn’t try to offer her imitation of each actor from the original broadcast but instead creates her own performances for each of her characters. It goes without saying that her Leela is a highlight of this novel.