Over my course of following the creative output of J. Michael Straczynski, one of his strengths has been the creation of diverse characters who form a connection with his audience. So, the highest compliment I can pay his latest offering Together We Will Go is that it continues that trend in the best possible way.
After suffering the latest in a long string of rejections, writer Mark has landed on his next project — an epistolary tale of a dozen strangers who have decided for one reason or another to end their lives. Renting a bus, Mark places an online ad to find people to join him on his final journey across the United States, planning to culminate the trip by everyone driving off a cliff near San Francisco. Riders earn their spot by agreeing to upload journal entries to a central server and occasionally having the audio transcript of dramatic moments archived and uploaded.
What Mark doesn’t count on is the diverse group of people who will join his cross-country trek and the ways various personalities connect and clash. He also didn’t count on the authorities in some of the states he’s crossing having an issue with a group of people on their way to commit suicide. Continue reading →
I’ve never read Jane Eyre, so I can’t speak to how faithful to the original Rachel Hawkin’s updated retelling, The Wife Upstairs is or isn’t. What I can speak to is that sense that this novel never quite connected with me.
Set in Birmingham, Alabama, Jane is on the run from her past. Working as a dog-walker for the city’s elite, Jane meets Eddie Rochester. Eddie’s wife disappeared (along with her best friend) under mysterious circumstances and is presumed dead.
So, of course, these two begin dating and their relationship moves rather quickly from dating to living together to engaged. Jane doesn’t want a big wedding for fear of publicity bringing unwanted questions from her past life, but her old roommate is more than willing to blackmail her to keep those pursuing her at bay. Jane works to keep one step ahead of her past, teasing readers with what it may or may not be for far longer than I had much patience for.
That really sums up my disappointment with The Wife Upstairs. It teases us for far too long (though we know a bit about what Eddie is up to early on) without giving sufficient answers to the questions raised until I’d long since lost most of my interest in Jane. I suppose if I’d cracked open a copy of Jane Eyre at some point in my life, I’d already know a lot of what is revealed in the final third of the book. But that might have ruined some of the “thrill” of discovering all this for myself.
Another issue with The Wife Upstairs is that it attempts to be a domestic suspense thriller without offering much in the way of thrills or suspense. I found myself more relieved to finally be done with the novel than satisfied with the overall reading experience once I turned the final page.
Overall, a disappointment.
I received a digital ARC of this novel from NetGalley in exchange for an honest review.
Sarah Beth Durst’s latest stand-alone fantasy novel offers a unique magic system, some quirky characters, and a fantasy-take on the “getting the band back together” story.
Years ago, five heroes defeated the evil Elkor and went their separate ways, becoming the stuff of legend. Twenty-five years later, Kreya’s legend has become a bit darker — she lives alone in a tower, keeping alive her husband (who died in the battle) through the use of dark and illegal magics. Increasingly desperate to find a source of human bones to cast the spells and give her just a few more hours with the love of her life, Kreya hatches on a plot that will eventually involve her old crew getting back together.
Of course, there’s a reason some bands break up. And as the band gets back together in The Bone Maker, Kreya come to realize that maybe they didn’t defeat Elkor as utterly as the legends say.
There aren’t many times when it comes to fantasy novels that I wish the author had extended a series. That isn’t necessarily the case with The Bone Maker. While Kreya gets solid character work, the rest of the crew doesn’t feel as deep or as well realized. I kept wondering if Durst might have been better served by making this a duology, allowing us to have a bit more of an investment in the characters.
It would also give us a chance to enjoy her well-realized magical system. I enjoy fantasy where there are limits or consequences to using the magical system and that’s the case with what Durst has realized here.
The Bone Maker offers an intriguing magical system, some dark character takes and is a stand-alone fantasy that left me wanting just a bit more. An overall success and one that has me intrigued to give some of Durst’s other fantastic worlds a try.
I received a digital ARC of this book in exchange for an honest review.
One of my great literary pleasures of 2020 was discovering Katie Henry’s works. Henry’s young adult novels feature quirky teenage protagonists facing issues and dilemmas that most of us would struggle with as adults. The characters are all frustratingly relatable because, as readers, we can see how they could and should change themselves to make interacting with the world a bit smoother and easier. But, like all of us, they can’t or aren’t ready to make that change just yet.
Henry’s third novel This Will Be Funny Someday may be her best offering so far, which is high praise given how much I enjoyed her first two novels.
Sixteen-year-old Izzy has always felt a bit out of place. In her family, she sees herself as the odd person out when it comes to the matched pairs — her parents and her older twin siblings. At school, Izzy is protected by her relationship with her boyfriend, though even that has come at the cost of alienating her best friend. Izzy has deep-rooted issues when it come to assigning herself value — whether it’s the (misconception) that she ruined her mother’s career when her mom discovered she was pregnant with Izzy or the emotionally abusive nature of her relationship with her boyfriend. Continue reading →
Celebrating fifteen years of original podcast science-fiction, Escape Pod offers up an anthology of fifteen stories from some of the most prominent names in the genre.
I’ve always found short story collections a nice way to sample an author’s work and decide if I might want to wade deeper into their works. This collection contains several authors I’ve read a great deal of what they’ve written (John Scalzi), some I’ve wanted to read for a while but haven’t quite taken the plunge yet (N.K. Jemison) and some that I’m aware of but haven’t picked up something from yet. Overall, it’s a pretty good collection with some interesting introductions by editors S.B. Divya and Murr Lafferty.
Being a Scalzi fan, his story stood out, though I think I’ve read it before. I will admit that Lafferty’s entry felt a bit abrupt, almost as if the author had a word or page count and just stopped writing when it was achieved. The other complaint with that story is that it’s set within the universe of her Hugo-award nominated novel and I felt like I was missing some of the contexts of the story having not read the novel first. It did make me want to seek out the book and finally get it off the to-be-read pile, so I suppose that’s something.
I’m a big fan of podcast fiction and have enjoyed the podcast this collection celebrates. I’ve read these stories were originally presented as episodes of the podcast and halfway through, I couldn’t help but wonder what they might be liked experienced as audio stories. I may have to look around a bit and give that avenue a try.
I received a digital ARC of this book from NetGalley in exchange for an honest review.
Don’t Move starts off with a gruesome, chilling first chapter and never lets go.
Enjoying a summer evening at the local traveling carnival, Megan Forrester’s life shatters before her eyes when a horrific accident claims the lives of her husband and son. Months later, Megan is trying to get her life back together and overcome the near-paralyzing guilt she feels. A church camping trip seems like the perfect way to ease herself back into the world a bit and start claiming her life.
Little does she or any of the other members of her party realize that what started out as an innocent weekend excursion will soon become a terrifying, deadly fight for survival in an isolated part of the Monongahela National Forest. Continue reading →
After two successful seasons of a true-crime podcast, Rachel Krall has found the third season for her show – the small-town trail of a young man accused of rape and its impact on him, the alleged victim, and their community.
Reading Megan Goldin’s The Night Swim, I couldn’t help but wish I’d decided to listen to the audio version of this story. Well, at least that was the case in the chapters when Megan is narrating her podcast. I couldn’t help but feel I was missing something by not listening to Rachel narrate the story as it unfolds.
Rachel’s investigation into the current rape charge brings up some old undercurrents and possibly cover-ups in the small town. The Night Swim doesn’t pull any punches or shy away from examining the implications of the rape on all those associated with it. It’s a hard, eye-opening look and yet, somehow, the novel walks a fine line. The mystery of what happened the nights in question drives the narrative and while I wouldn’t call this a suspense thriller, I will say that I was curious to see where the actual truth would lie in the final pages.
As with many great crime novelists working today, Goldin’s interest isn’t just in solving the central mystery but looking at the impact that mystery has on its characters and society as a whole. Coming away fromThe Night Swim, I found myself thinking about it and pondering those implications long after the final page was turned.
I received a digital ARC of this book from NetGalley and the publisher in exchange for an honest review.
Nearing her 23rd birthday in a small village, the Addie LaRue of 1714 wants nothing to do with her family’s plans to marry her to a widowed man nearly twice her age. Desperate to escape, Addie calls upon the gods, making a Faustian deal with a devil named Luc.
Addie won’t age. But she also won’t make an impact on the world nor will anyone she interacts with remember who she is. The deal runs out when grows weary and willingly surrenders her soul to Luc. But Addie didn’t count on the immediate heartbreak of her family instantly forgetting her, leaving her without a home and forced to find loopholes to make minor impressions upon the world for the next three hundred years.
Until one day, she wanders into a bookstore and meets Henry. And while stealing a book (Addie gets by stealing a lot of what she needs since people don’t recall her once she’s out of sight), Henry follows her and confronts her, saying the three words she’s been dying to hear for so long — “I remember you.” Continue reading →
Connor Ford is the one itch that Tabitha Girard has never been able to resist scratching. It begins during their teenage years when Connor and Tabitha have a summer romance while she works as his grandmother’s country club. Connor’s grandmother doesn’t approve of the pairing and soon finds a way to break the two up.
Years later, Connor wanders into the restaurant/bar where Tabitha is waitressing, and the two attempt to pick up where they left off. The only things standing in their way are Tabitha’s recently released from jail ex-husband and Connor’s wealthy wife, who are suspects that Connor is stepping out on her. Thanks to an iron-clad prenup, if Connor leaves his wife, he loses everything.
So, when Connor’s wife turns up drowned in her swimming pool after a summer party and Tabitha reveals she’s expecting Connor’s child, suspicions begin to mount. After quickly and quietly marrying Connor, Tabitha begins to suspect that her new husband may be keeping secrets from her — deadly secrets. Continue reading →
Lindsey, Kendra, and Dani have shared multiple big life events over the year of their friendship. Their friendship has rubbed off on their teenage sons, who have grown up together and are very close.
Then one tragic night, everything is ripped apart, leaving one of their sons dead, the other in a coma, and the other unable or unwilling to provide any details of how, why, or what happened.
Lucinda Berry’s The Best of Friends has a great premise, a solid first chapter, and a great hook. It’s just too bad that the novel never really delivers on the promise of its initial chapter.
Part of this stems from Berry’s utilizing alternating first-person narration by all Lindsey, Kendra, and Dani. What should have been a great way to put us inside the emotions and thoughts of these three best friend as they try to make sense of what happened and why instead gives us three narrators who all come across as so similar that it’s hard to recall who is narrating each chapter were each one not identified at the top.
About a third of the way through the novel, I found myself earning for Berry to make one of the voices more distinctive, but it never happens. And while curiosity about what happened and who did what to whom kept me going, I never felt a connection with the characters enough to be truly shocked or rocked by any of the secrets each is hiding from her other friends.
We do get answers to the central mystery, but it ends of not feeling quite like enough. Maybe I’m spoiled by the likes of Laura Lippman or Elizabeth George who give us mysteries that not only work as puzzles to be solved but also attempt to give us some insight into the implications of the mystery on its characters and the larger world. I have a feeling this will be one of those books that I see crop up on my feed again in the near future and I’ll quickly forget most of the details.
I received a digital ARC of this novel from the publisher via NetGalley in exchange for an honest review.