Last week, Shortcake was startled while climbing the stairs and I got to find out how fast I can run.
I decided it was a good chance to post on my “being a dad” blog. Here’s an excerpt:
Shortcake doesn’t react well to being startled. Most of the times, she’ll just let out a yelp. But last week, she was climbing the stairs to give Mommy and her sister cat a hug. I was planning to follow her upstairs, but got distracted by something that kept me from being on the stairs with her at the moment of the big scream.
If you’d like to read the entire story, you can HERE.
For most of this season, I’ve felt like the better episodes of The Orville have come from everyone but Seth MacFarlane. And then, he has to go and deliver what is probably the best episode of the series so far with “Identity, Part 2.”
This two-part installment felt like The Orville’s attempt at “Best of Both Worlds,” taking our characters to some dark, scary places all while facing the potential obliteration of humanity at the hands of robotic beings. And while the cliffhanger here isn’t quite up to “Mr. Worf, fire!” (to be honest, few cliffhangers are), it was still enough that I was glad I’d let episodes build up on the DVR and didn’t have to wait a week to see how it all played out.
MacFarlane and his writing staff pull a lot of threads into focus here, from the romance of Doctor Finn and Issac to the on-going conflict with the Krill to the revelation of why Issac was really on the ship to begin with. Watching as Issac and his robotic others revealed that Issac was there less to learn about becoming a member of the Union and more to probe for weaknesses and possible ways to destroy humanity really put the comment about his race being “incredibly racist” from the pilot into a completely different light. Continue reading
Many Whovians consider “The Daemons” to be the Pertwee-ist story of the Third Doctor’s era.
I tend to disagree and point instead to “The Mind of Evil” as the story that brings together most of the elements required for a “essential” Pertwee-era adventure. Featuring UNIT, the Master, and multiple threats to Earth, “The Mind of Evil” has long been one of my favorite stories from this era — and even the entire run of classic Doctor Who.
Which is why it’s a darn shame that Terrance Dicks’ adaptation of the story doesn’t even begin to do it justice. If there were ever a story crying out for the rounding out of things that Dicks was able to do with “The Auton Invasion” or “Day of the Daleks,” it’s “The Mind of Evil.” Instead, we get Uncle Terrance late in his run of adapting the original version for the printed page. Continue reading
An open letter to Seth MacFarlane:
Do you mind if I call you Seth?
I understand that your new series, The Orville is intended as a homage to the optimistic spirit of Star Trek. And I know that many of your other animated comedies feature callbacks to certain moments from popular culture.
So, you will understand if I’m a bit concerned that it feels like the latest (at least to me) episode of The Orville feels like you crossed the streams of your series. I can understand and forgive the plot line where Gordon is taking the command test and pulls out the “we’ve got this weapon that will reflect back whatever you throw at us” moment. After all, Captain James T. Kirk only used that twice in the original series (and did it better. Of course, when does James T. Kirk not make just about anything better?!?). Continue reading
The Orville: Primal Urges, Home
I’m not sure what this says about season two, but my favorite episode of the young season is one held over from their first season. Borrowing a page from TNG’s “Evolution,” “Primal Urges” finds the ship in danger because of crew member’s carelessness. On TNG it was Wesley Crusher creating a new form of sentient life. And The Orville, it’s Bortus getting a nasty virus into the computing systems thanks to his new-found addition to holodeck adult content.*
*Because the series has to remind us at least once per episode that Seth McFarland is behind this. Don’t get me started on the CGI alien whose species writes the best adult simulations in the business and how he talks exactly like a character out of Family Guy. Continue reading
I started off last season doing a weekly recap of The Orville. Well, at least until three or four episodes piled up on the DVR and I got behind in my viewing and recapping.
I eventually got the rest of season one, binging them* over a short succession of days. What I found was a show that was growing in confidence, characters, and storytelling, slowly moving away from the “typical” Seth MacFarland type of set-ups for jokes that more often than not didn’t quite land. The only drawback of the last three-quarters of season one was the show spent far too much time dwelling on what I considered the least interesting aspect of the show, the “will they or won’t they” aspect of Ed and Kelly’s relationship.
*As much as one can binge having a two-year-old. That generally means that binging is watching a full episode in one sitting without being distracted by whatever mischief Shortcake has discovered.
With the season one finale, I hoped the show might have finally resolved this arc and decided to move on. Continue reading
The final televised Third Doctor story to reach the printed page was something of a disappointment when I read it initially thirty plus years ago. However, thanks to the audiobook line from BBC Audio, I was given the opportunity to visit the story once again.
In the years since I first read the novel, “The Ambassadors of Death” has grown a bit in my estimation. Yes, it’s still the weakest story of season seven, but that’s damning a bit with faint praise.
Terrance Dicks’ adaptation of the John Whitacker/Malcolm Hulke script does a serviceable job of trying to condense seven episodes into the mandated page count. Dicks is able to streamline some of the action sequences (Liz Shaw’s car chase, for example, takes about a paragraph or so) and give a bit more time and space to early developments. However, after listened to some of Dicks’ earlier works when he was given more time to develop the characters and add in some background details to the situation, I can’t help but wish he’d had don that here. Imagine the Dicks who wrote “Day of the Daleks” being allowed to fill in the history of the Mars Probe missions or even time to make General Carrington a bit more of a sympathetic villain (or at least give us a better understanding of his motives).
I can’t help walking away from this one feeling like it’s a missed opportunity more than anything.
And yet, for all of that, the audio version was still a pleasure to listen to. Part of that is narrator Geoffrey Beavers, who could probably read Malcolm Hulke’s grocery list and it would be utterly scintillating to the listening ear. Once again, Beavers shows he’s one of the jewels in the audio book line.