Confession time. I loved the first half of “Victory of the Daleks.”
I know the story is one of the more reviled of Matt Smith’s tenure as the Doctor. But as a classic Doctor Who fan, the first half was a pure delight. Seeing the manipulative Daleks, pulling the strings of the gullible humans all while the Doctor tries to convince everyone that they’re really up to no good felt like a writer Mark Gatiss channeling “Power of the Daleks” for a modern audience. Continue reading
During my teenage years, I picked up a photonovel copy of “The Power of the Daleks” at a sci-fi convention. The original script for the long-lost story was put together with the telesnaps (photos of the actual episodes) in an attempt to give fans a chance to see what the watching the serial back in 1966 might have been like. At the time, I figured this would be a close as I’d get to fully experiencing “The Power of the Daleks.”
When I first got on-line, I discovered the Doctor Who fan community and the practice of sharing the off-air audio from lost serials with each other. Thank to the generosity of a fellow fan, I was able to acquire the audio from several lost serials that I eagerly listened to, imaging what it might have been like to see the story back during its original airing. At the time, I figured this would be as close as I’d get to fully experiencing “The Power of the Daleks.” Continue reading
Ever since William Shatner committed his memories about working on Star Trek to print, it seems like there have been a lot of books pulling back the curtain on what went on behind the scenes of the original series. And if you were to take the time to put together all those various accounts of what went into creating Star Trek, whether it be from the technical, creative or personal side, you’d probably get a fairly good idea of how the original series came to be on our screens.
But if you don’t have that much time or shelf space, you could simply pick up Edward Gross and Mark Altman’s new book The Fifty Year Mission, The First 25 Years: The Complete, Uncensored, Unauthorized Oral Historyof Star Trek. Weighing it at close to 600 pages, this first installment of two this year from Gross and Altman covers the history of the original crew of the starship Enterprise, from the initial vision by Gene Roddenberry to the cast literally signing off at the end of Star Trek VI: The Undiscovered Country. Continue reading
While some of my peers were reading the Sweet Valley High or R.L. Stine’s novels, I spent my teenage years reading Stephen King and Target adaptations of classic Doctor Who stories. One of the most prolific authors of the Who range was former script-editor Terrance Dicks. If you take a step back and look at the sheer volume of novels published by Dicks during this era, it’s staggering — to the point that I had an image of poor Terrance chained to a desk, fed only bread and water and forced to hammer out adaptation after adaptation on his typewriter.
Visiting some of Dicks’ output again thanks to BBC Audio has only underlined again just what Dicks was able to do for an entire generation of Doctor Who fans — keep the series alive and fresh in our imaginations when we couldn’t see all the stories we wanted to again, much less collect them to sit our shelves. The fact that these novels are still readable and enjoyable today is a testament to just how good Dicks was.
“The Claws of Axos” comes from an era when Dicks wasn’t given as much time to adapt serials as he had in the bookends of his Doctor Who adapting career. “Claws” is pretty much a straight-forward adaptation of the original script with some nifty descriptions and one or two embellishments thrown in for good measure (for example, at the end when the serial ends with the Doctor’s chagrin at being “a galactic yo-yo,” Dicks allows the action to continue onward with everyone saying their farewells and the Doctor rushing out to ensure the UNIT guys don’t jostle the TARDIS). Continue reading
Since the beginning of the Target audio book range, there have been a couple of the classic Doctor Who adaptations that I really wanted to see get the audio treatment. So imagine my delight when the range included several of those titles last year, including my all-time favorite Doctor Who serial and one of my favorite adaptations, “The Curse of Fenric.”
The Doctor and Ace arrive in World War II at classified naval base where one of the first computers is being used to break the German coded ciphers. But with the arrival of a group of Russians, it soon becomes clear that a bigger game is being played — one that the Doctor has known was coming ever since he met Ace.
To number the ways I love “Fenric” could take all the characters I have left in this review and it wouldn’t even crack the surface. While the storytelling in the late 80’s wasn’t quite as serialized as we see in many of the television series today, seasons 25 and 26 did insert a loose character arc for Ace. Continue reading
Mulder, the Internet is not good for you.
When it was announced that Darin Morgan was part of the X-Files revival, my interest in the project was peaked. All four of Morgan’s previous offerings for the show were among my favorites of the series with “Clyde Bruckeman’s Final Repose” ranking not only as my favorite hour of the show, but one of my favorite episodes of television ever.
But even as I was enthusiastic to see Morgan back on the show and had “Mulder and Scully Meet the Were-Monster” circled in my mind as the “must see” installment of the new season, I have to admit I felt a bit of apprehension. I wondered if Morgan could return to the fold after a break of nearly twenty years and capture the magic again.
Thankfully, it only took the teaser on this week’s new installment to affirm that Morgan was back and that this episode could be something special. Continue reading
When The X-Files finally closed thirteen years ago, I’ve got to admit part of me was a little relieved. In the eighth and ninth season, the series had become a pale imitation of the series I loved and made appointment television for its first six to seven years. The mythology had become so convoluted that I no longer looked forward to it and the stand-alones had become a bit weaker than we saw in the early days.
When news broke that Fox was going to revive the series, my first thought was — please, don’t let me it be as unmemorable as seasons eight and nine. And the more I heard about who was being brought back for this six episode run, the more intrigued and, dare I say it, excited I became. Maybe, just maybe this six-episode mini-series could channel the series at its best and find a way to send Mulder and Scully off with dignity and grace.
After watching the first installment of the mini-series, I have to admit the results are a bit mixed. Continue reading