He steps back, steps back again. He can’t believe what I’m saying. Once, I might not have believed it, either. But the lie is the closest to the truth we’re going to get. We’re never going home. We Fall again and again, and every time it’s a little different, but it’s never right.
Grace is trapped in a loop that resets itself every five days. Despite her best efforts, she can’t find a way to escape the seemingly inevitable death of her boyfriend Ander at the hands of Finn.
Heaven knows she’s tried forty plus times now.
But landing in the latest loop, things feel different. Her twin brother Jem has returned, Ander has no memory of their previous Falls (he did in the first forty or so) and her family seems to be more functional. As Grace contemplates embracing the current Fall and staying in this set of events, she can’t shake off the feeling that there’s something she’s overlooking in trying to break the never-ending cycle of tragedy and death. Continue reading
While “Old Wounds” introduced us to the universe of The Orville and its characters, the episode really didn’t tell us much about the characters beyond a basic character tic or bio line.
And while “Command Performance” still suffers from many of the issues that played the pilot episode in terms of establishing a tone for the series, it at least tried to give us a bit more insight into a few of the characters. Continue reading
There are a lot of things about “Revenge of the Cybermen” that don’t make sense.
But the biggest thing comes not from anything that takes place on-screen but the serial’s place in Doctor Who history.
Back in the 80’s as VCRs became more and more common in homes, the BBC decided to test the waters with a commercially released classic Doctor Who serial. And for this honor, they decided to pick something from what many fans considered the pinnacle of Doctor Who – the Tom Baker starring, Robert Holmes script-editing, Phillip Hinchcliffe producing years.
Somehow classics like “The Ark in Space,” “The Pyramids of Mars” or “The Robots of Death” were passed by and instead the world got “Revenge of the Cybermen.”
Who-lore from the era tells us that the BBC polled fans at a convention and a mix-up between “Revenge of the Cybermen” and the then missing “Tomb of the Cybermen” occurred. Seems fans wanted “Tomb.” Instead we got “Revenge.” Continue reading
Eleanor Oliphant may think she’s completely fine. But spend a few pages with her and you’ll find out that she’s not quite as fine as she thinks she is.
Eleanor wants for nothing physically. Her regular job provides a steady income that allows her to provide for the basic human necessities as well as a few extras. For example, enough vodka to pass the hours of her weekend until it’s time to go back to work again. She has her weekly conversations with her Mummy and she looks forward to certain documentary programs on the radio or television.
Yes, Eleanor is doing just fine, thank you.
Except she’s not really. Emotionally distant from herself and those around her (at one point, Eleanor points out that her foster child upbringing taught her to stop “wanting” things that weren’t vital to her survival), Eleanor has finally found the man of her dreams. He’s the singer for an up and coming band and while the two haven’t met, Eleanor just knows that once they meet, it will be love at first sight and things will start being more than just “fine.” Continue reading
Collecting a dozen or so issues of the original run of The Amazing Spider-Man, this may represent the most memorable stories of the Gerry Conway era. Starting off with the epic two-part story that “changed comics forever,” “The Night Gwen Stacey Died” set a new tone for the Peter Parker and his secret identity. It’s one of the few comic book deaths (outside of Uncle Ben) that has really stuck, though Marvel has certainly tried to mess with this by having clones of Gwen come back and then later revelations that Gwen and Norman Osborne were hooking up while she was off in London.
The two part story that features the end of Gwen and the original Green Goblin has been retold and given homage in multiple re-tellings of the Spider-Man story. But few are better than what Conway does in these two issues. Knowing the ending allows you to sit back and really examine how Conway and the creative team on ASM toyed with readers of the day, building up and foreshadowing the two major deaths to come.
As if that monumental two-part saga weren’t enough, we also get the introduction of the Punisher to the Marvel-verse and the Jackal to the Spider-verse. And both of these introductions occur in the same issue. The sad part is that said issue isn’t necessarily much to write home about. The Punisher is an interesting force to be reckoned with, but in his debut, he’s pretty much a one-note character. The backstory that we associate with the character comes later. Continue reading
An interesting take on young adult tropes, Moonhead and the Music Machine is one of the more bizarre and intriguing graphic novels I’ve read in recent memory.
Joey Moonhead is aptly named — he and his family have moons for heads. Trying to find his place in high school, Joey struggles between his parents’ expectations and his desire to fit in. When the school talent show comes up, Joey invents his own instrument and shocks his peer by not only playing but being pretty good at it.
Filled with things only a graphic novel can do, Moonhead and the Music Machine is an immersive, entertaining experience. On one level, it would be easy to zip through the story but doing that doesn’t allow for really taking in the various panels and visuals created by Andrew Rae. And while the story itself isn’t exactly a new one, Rae’s take on the coming of age young adult story is intriguing enough to make spending time with Joey Moonhead worth it.
In the interest of full disclosure, I received an ARC of this book from the Amazon Vine program.
As a re-imagining of the “Table of Time” saga from multiple issues of The Amazing Spider-Man, Spider-Man: Forever Young is a bit of a disappointment.
The strongest parts of the story are borrowed directly from a couple of issues in the Stan Lee/John Romita days of ASM. Filled to the brim with angst for Peter Parker, multiple villains for our favorite web-slinger to contend with and a McGuffin to drive the story (in this case, an ancient tablet that contains the formula for a fountain of youth serum), the first half of the story is entertaining, riveting and chock full of classic Spidey goodness. Continue reading