August 30, 2021 · 4:59 pm
I was probably one of the few who didn’t love Laura Lippman’s last book Lady in the Lake last year. It wasn’t that it was an unpleasant reading experience, but it just wasn’t up to my usual lofty expectations for Laura Lippman.
So, when I heard there was a lot of buzz surrounding her new book Dream Girl, I have to admit I was wary. Could it live up to the hype?
I knew the answer within reading the first ten or so pages of this one — I was hooked. In fact, I will (spoiler alert) go so far as to say this is one of Ms. Lippman’s best books. It’s something different for her — a thriller that isn’t necessarily plot-driven but is instead a character exploration. In her afterward, Lippman says that she wrote this response to Stephen King’s Misery and that connection is easy to see.
Gerry is a best-selling writer whose seemingly done it all. His first novel won critical and popular acclaim and while he’s published several books since none has burned quite as brightly. Along the way, Gerry has left quite a wake behind him in his personal life, including multiple ex-wives, various affairs, and an ex-girlfriend who has been squatting at the apartment he sold in New York when he moved to Baltimore to care for his dying mother. Gerry is opinionated, arrogant, and deeply flawed. In other words, he’s a human being who happens to be a best-selling author. Continue reading →
August 23, 2021 · 11:26 am
Sally Kilpatrick’s latest novel, Much Ado About Barbecue should come with a warning label that you’re going to crave some good barbecue. This isn’t necessarily a terrible thing — unless you don’t have access to good barbecue, that is.
Emma Sutton and Ben Cates have been rivals all their lives. It started in kindergarten when Ben pulled the chair out from under Emma and continued throughout their educational history, including Emma’s underpants winding up on the school flag pole. So, when Emma returns to town after a series of disappointments in her life, she quickly finds the rivalry resuming thanks to Ellery’s barbecue competition. Both families own barbecue joints in town, each praised and respected for differing ways of cooking the meat. Ben has reluctantly embraced using a smoker, while Emma’s family still does whole-hog pit barbecue.
There is a bit more to the rivalry between Ben and Emma than the competition for who has the best barbecue and juvenile pranks. Emma has repressed large portions of junior high school due and she holds a deep secret about possibly raining on Ben’s dream of playing baseball at the next level. Needless to say, these two are probably the last two people you’d imagine ending up together.
And like the main dish of the book’s title, the potential romantic entanglement is one that roasts slowly, marinating in its own rub of family secrets, long-held resentments, and misunderstandings. Along the way, we meet a colorful cast of characters from Jeremiah, the long-time pitmaster as Emma’s family barbecue joint (and a character I’d love to see get his own novel) to Ben’s sister, Shero.
Between family secrets, the slow-simmering enemies-to-lovers story, and a colorful cast of characters (including several familiar faces from previous Ellery novels), Much Ado About Barbecue proves to be another winner from Kilpatrick. Filled with the types of characters you’d expect to me in a quirky small town, Much Ado works much like the barbecue does — as a satisfying, enjoayble meal that left me fully satisfied and yet somehow wishing I had just a bit more room for another bite or two.
Taking a page from Shakespeare (maybe you’ve heard of him), Kilpatrick gives us her spin on Much Ado About Nothing in her quirky creation of Ellery. As with her other novels, Much Ado About Barbecue is a delightful gem and most likely destined to end up on my list of favorite books I read this year.
Add this one to your to-be-read pile, folks. Just don’t do it on an empty stomach.
In the interest of full disclosure, I received an ARC of this book from the author in exchange for an honest review. No bribing of barbecue was done or needed….
August 17, 2021 · 12:52 pm
Doctor Who was originally intended as an education program for families — one that would see the TARDIS crew traveling backward to various eras and imparting a bit of knowledge about history to the viewing audience of the day.
But by the time the series celebrated its first decade on the air, journeys to historical settings had become a thing of the past. That is until producer Berry Letts and script editor Terrance Dicks decided to bring back the historical story for the show’s eleventh season debut. Dicks jokingly says that he dragged Robert Holmes “kicking and screaming” into the Middle Ages with the debut story of Jon Pertwee’s final season, “The Time Warrior.”
“The Time Warrior” is a story of a lot of firsts. First appearance of the Sontarans, first appearance of Sarah Jane Smith, the debut of the diamond logo and new opening credits (I can’t tell you how much this surprised on my first viewing of season eleven), and the first time Gallifrey was used as the name for the Time Lord’s home world. Given all these firsts, it feels like a no-brainer that Letts and Dicks would go to Holmes for the story. Continue reading →
August 9, 2021 · 2:34 pm
Prequels are difficult. Just ask George Lucas or Brannon Braga.
While there is a great opportunity to fill in the backstory for characters and do a bit of worldbuilding, it feels like the risks often outweigh the rewards. A prequel series can also be limiting in how many surprises or revelations an author or creative team can throw the fans way before fandom starts crying foul or screaming that this detail or that one has violated continuity or a long-held character belief.
But long before Star Trek and Star Wars were looking to their past, author Issac Asimov was taking the opportunity to fill in a few gaps in his Foundation novels. Asimov’s output of the ’80s seemed to be almost obsessed with finding ways to connect various threads across his novels and short stories. And so it was that we come to Prelude to Foundation, a prequel to his popular, award-winning series that explored the early days of Hari Seldon and some of the steps in the creation of psychohistory.
Less sweeping in scope than the other Foundation entries, Prelude to Foundation focuses on an early adventure of Seldon in the days after presented a paper on psychohistory. As the Galactic Empire begins to crumble, multiple parties see Seldon’s psychohistory as their opportunity to gain, keep, or consolidate power. Most of the original Foundation trilogy puts Seldon on a pedestal and gives us the image of a wise figure forecasting the fall of an Empire and doing his best to shorten humanity’s coming Dark Age. Continue reading →