Henrietta Hoffman (better known as Hattie in her small town) wears a lot of hats. Whether it’s honor’s student near the top of her senior class, the loving daughter of her parents or the dutiful girlfriend. But does anyone really know the REAL Hattie Hoffman?
Mindy Mejia’s Everything You Want Me to Be examines a year in the life of Hattie Hoffman as she struggles to find out the role she really wants to play in life. The big problem is that just as Hattie is figuring out who she wants to be, she meets an untimely end under suspicious circumstances. Continue reading
Because many fans first entry point into the sci-fi/fantasy world is Douglas Adams or Terry Pratchett, it can be easy to assume that writing funny genre pieces is something that just about anybody can do. But a look at the myriad of pale imitators who have tried and fallen short continues to prove that being funny on the printed page isn’t as easy as it first appears.
Every once in a while an author comes along who is able to channel what made Adams and Pratchett work so well. And while not all of John Scalzi’s works have been a “laugh riot,” he has shown the capacity to land his jokes more often than not. Continue reading
The runaway success of “Gone Girl” has created a new sub-genre in the mystery/thriller section. It seems like every other book that comes out these days cover blurb touts it as being in the “same vein as ‘Gone Girl.'”
And while there have been a few books that have come close to capturing the page-turning intensity of Gillian Flynn, there have been more than a few that felt like pale imitations of the original.
For the first third of “Distress Signals,” it feels like Catherine Ryan Howard has tapped into the same vein Flynn did with “Gone Girl.” Only to see it all fall apart the more Adam Dunne digs into the disappearance of his fiance, Sarah. Continue reading