One of the eternal questions debated on many a playground is if you could pick one superpower, which one would it be and why? Odds are that a lot of the responses are going to be the old standards of flying, running fast, or becoming invisible.
The becoming invisible portion is the basis for one of the building blocks of the science-fiction genre in H.G. Wells’ The Invisible Man. Odds are that even if you haven’t read it, you’re aware of the basic outline of the story thanks to multiple pop-culture retellings or uses of the character over the years.
For this year’s Vintage SciFi Month, I decided that I’d take a look at the foundational novel in the genre and see if it holds up.
Since it was included as part of my Audible subscription, I decided to take advantage of it and began listening. And immediately found myself not really looking forward to going back to it. The story of a scientist who invents a serum that allows him to become invisible and then becomes a raging ball of id just never quite connected with me this time around. Doing a bit of research, I found that Wells initially serialized the story, which then put into the Doctor Who frame of mind of figuring out where the cliffhangers all were. And maybe the story would have worked better unfolding in weekly or monthly installments. But I’m honestly not so sure. Continue reading
As part of the 2016 Sci-Fi Experience and getting in early for Vintage Sci-Fi month, I thought I’d offer up some thoughts on Arthur C. Clarke’s classic genre novel Childhood’s End.
I read this one a decade ago as part of a vintage genre campaign, but large chunks of it had slipped my memory. So when SyFy’s new mini-series showed up on the DVR, I decided to re-visit the original material before I started watching the new adaptation.
So, here we go….
One of my big complaints about the current state of science-fiction and fantasy is the overwhelming need to make EVERY single concept into a trilogy or on-going series.
Which is what makes going back to the classics of the genre such a pleasure.
Arthur C. Clarke’s Childhood’s End is one of the most economic genre novels ever published. But I’d argue that the novel packs more ideas and punch into its two hundred pages than some on-going series have packed into their thousand plus (and counting) pages.
In many ways, Clarke created the mythology of the alien invasion. The Overlords arrive in ships that hover over the greatest cities on Earth, saying that they are here to help humanity. The Overlords put an end to petty conflicts and help point humanity toward a better tomorrow — but there could be a price to it all. They refuse to allow human beings to see them as they really are for the first fifty years of their overseeing our world. Instead, a single human is chosen as the intermediary for humans and Overlords. Continue reading