Like many of the fifth Doctor stories in the Target range, this is one that I simply skipped in my earlier collecting years and never got around to reading. Listening to the audio version, I can see why.
Arc of Infinity is a solid example of Terrance Dicks taking the shooting script and adapting it for the printed page with ease and professionalism. But for a story that’s a sequel to one that Dicks himself worked on during his tenure as script editor, it feels a bit wanting and thin at times. The story goes to great lengths to keep the identity of various villains secret during its four-episode run time. And translated to the printed page, it feels like there’s a lot of treading water taking place from the Doctor’s being almost taken over by Omega in episode one until Omega is dispatched in episode four. In between, there is some running up and down corridors and later along the streets of Amsterdam.
Dicks is able to consolidate much of the running about via his prose, but somehow it makes the story feel thinner than it did on-screen. I couldn’t help but find myself wishing for the Dicks who gave us “The Auton Invasion” or even “The Three Doctors” to fill in some gaps here or to give us some other reason Omega is still lurking about other than “well, we wanted to bring him back for the twentieth anniversary.”
All that said, the saving grace for the audiobook is the performance by Geoffrey Beavers. As I’ve said before, Beavers could read a take-out menu and hit the right notes of menace for a Doctor Who villain — and that is certainly the case here. Beavers does his best with the material he’s given, elevating it a bit and making the entire experience a bit more enjoyable.
Nostalgically, “Time-Flight” holds a special place in my heart as the first Doctor Who serial I watched one warm summer evening on San Jose’s KTEH. The story of a Concorde vanishing into pre-historical times hooked me on Doctor Who for life. And since I didn’t have much to compare it to, I thought it was one of the best things I’d ever seen.
It didn’t take me long to realize that “Time-Flight” wasn’t necessarily the best offering for not just the Peter Davison era but also Doctor Who as a whole. That’s probably why I skipped the Target book during my teenage years.
Forty years later, I’ve finally experienced the Target version of the story in audiobook form. And it was about as disappointing as I thought it might be forty or so years ago.
Freed of the limitations of an overstretched budget, I’d hoped that author Peter Grimwade might use the printed page to enhance and expand the story a bit. Instead, Grimwade seems to follow the Terrance Dicks of the Tom Baker era model and just translate the script to the page with a few descriptions of items, sets, and characters thrown in for good measure. The story of a Concorde being stolen down a time corridor in order to help out the Master’s latest nefarious scheme doesn’t even come close to making one lick more of sense on the printed page. It really does make one yearn for the days of Roger Delgado as the Master when the villain’s schemes felt like they had a bit more planning behind them.
The audio version of this one tries its best with Peter Davison in there giving it his all and the story full of sound effects that try their darnedest to make it all a bit more palatable. Alas, it never quite all gels and I can’t help but feel that this one was a bit of a disappointment.