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Review: The Complete Peanuts, Volume 2: 1953 – 1954

The Complete Peanuts, Vol. 2: 1953-1954

Just like its predecessor, there are a lot of Peanuts cartoons collected here that I don’t recall reading in my younger days. How much of that is that the memories of those collections are lost to the ravages of time and how much of it is that these particular cartoons weren’t included in previous collections, I can’t really say. What I can say is that reading the entire creative output of Charles M. Schulz from two years is a fascinating journey.

In this second collection, the characters and characteristics of those characters are starting to come into better shape. Snoopy still acts like a regular dog, only occasionally talking to the audience and rarely having the flights of fancy that will later define him. Lucy comes to the fore a bit more and feels like the showcase star of this collection — from her being a fussbudget to her dissatisfaction with going to nursery school. There are hints of the Lucy that many of us associate with the character developing here, though I’d argue she has a gentler, more human side than we see in later years. (This may be something that I will have to observe as I continue to read these collections).

Over the course of two years, you can see Schultz refining his technique, his humor and his characters. There are some characters who make appearances here that will slowly fade into the background, while others are just emerging. Schroeder has his love of Beethoven and serves as a sounding board for budding cartoon artist Charlie Brown. Pigpen makes his debut toward the later half of the collection, with various observations that you can kick up a cloud of dust everywhere you go and still be happy and well adjusted. One of the more intriguing introductions toward the end of 1954 is Carlotta Brown, who essentially looks like Charlie Brown, drawn in a dress and with curly hair. Her other defining characteristic is that she talks in a loud voice (think Monty Python’s guy who likes to shout). It will be interesting to see how long she stays around and if and how Schultz fazes her out. I’ll be honest that I’ve never come across her in previous collections — and there may be a reason.

The book remains a fascinating look at an iconic comic strip as it develops. It also continues to show that Peanuts is never static.

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Review: The Complete Peanuts, Volume 1: 1950-1952 by Charles M. Schultz

The Complete Peanuts, Vol. 1: 1950-1952The Complete Peanuts, Vol. 1: 1950-1952 by Charles M. Schulz

My rating: 4 of 5 stars

Growing up, I loved checking collections of Peanuts comic strips out of the library. During my younger years, there were two size to the Peanuts collections — the smaller, standard size paperbacks, which rarely included the Sunday strips and the larger trade paperbacks that included more comics per page and the Sunday strips. I have found memories of reading those collections over and over again and always heading to that section of the library with the hope that a new collection was on the shelf today — or at least one I’d only read a dozen or so times before.

Part of this love stemmed from the animated Peanuts specials and the feature length movies. And part of it came from the collection of Charlie Brown records, where dialogue from the animated specials was put onto vinyl and I could listen them over and over again. Like the books, there were two sizes — the shorter play records that ran from eight to fifteen minutes and the LP that included pretty much the entire special in audio form. In the days before we had VHS (yes, there were such dark days. We also walked to school, against the wind both ways through snow drifts, even in the middle of summer or when I lived in climates that didn’t have snow), those records helped me to enjoy the stories of Charlie Brown, Linus, Lucy and Snoopy over and over and over again.

It was always fascinating to see the strips that became some of the source material and inspiration for those various animated specials (and records). Continue reading

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