Tag Archives: Issac Asimov

Summer Repeats: Re-Visiting Some Old Friends

Growing up, summers were the time when my favorite TV shows aired repeats of the previous season, allowing you to catch-up a bit , visit again with old friends, or discover a new favorite. Today with streaming, repeats have become a thing of the past and it’s all about new, new, new content.

This summer, I’ve been visiting a few old friends on the printed page — both through re-reading of physical copies and audiobooks. It’s been an interesting journey and I’ve been struck by a few things.

Ender’s Game by Orson Scott Card

Ender's Game (Ender's Saga, #1)It’s probably been twenty-plus years since I read Ender’s Game, so I figured it was time to visit this one again. I did wonder how knowing the twist at the end of the story might change my reaction to certain scenes and characters.

While knowing where it’s all leading certainly lends a different light to certain portions of the story, it still didn’t take away from the overall enjoyment of the novel this time around. Continue reading

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Audiobook Review: Prelude to Foundation by Issac Asimov

preludePrequels are difficult. Just ask George Lucas or Brannon Braga.

While there is a great opportunity to fill in the backstory for characters and do a bit of worldbuilding, it feels like the risks often outweigh the rewards. A prequel series can also be limiting in how many surprises or revelations an author or creative team can throw the fans way before fandom starts crying foul or screaming that this detail or that one has violated continuity or a long-held character belief.

But long before Star Trek and Star Wars were looking to their past, author Issac Asimov was taking the opportunity to fill in a few gaps in his Foundation novels. Asimov’s output of the ’80s seemed to be almost obsessed with finding ways to connect various threads across his novels and short stories. And so it was that we come to Prelude to Foundation, a prequel to his popular, award-winning series that explored the early days of Hari Seldon and some of the steps in the creation of psychohistory.

Less sweeping in scope than the other Foundation entries, Prelude to Foundation focuses on an early adventure of Seldon in the days after presented a paper on psychohistory. As the Galactic Empire begins to crumble, multiple parties see Seldon’s psychohistory as their opportunity to gain, keep, or consolidate power. Most of the original Foundation trilogy puts Seldon on a pedestal and gives us the image of a wise figure forecasting the fall of an Empire and doing his best to shorten humanity’s coming Dark Age. Continue reading

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Audiobook Review: Foundation by Issac Asimov

Foundation (Foundation, #1)

One of my reading goals for 2021 was to re-read or experience anew the classic sci-fi series getting pop-culture adaptations — Foundation and Dune.

Halfway though 2021, and I’ve made good on part of that with my listening to Issac Asimov’s Foundation. I have to admit that listening to the novel was a different way of experiencing one of the giants of the science-fiction genre and one of the pillars (notice I didn’t say foundation) that all of science-fiction is built upon.

The good news is that Foundation still holds up. It’s a rich, episodic novel that is less concerned with space battles and space opera and more on having characters debate big ideas and moments. The Galatic Empire is failing and historian Hari Seldon says there is nothing that can be done to stop it’s fall. However, the length of the coming Dark Ages can be shortened if all of humanity’s knowledge is collected together on a single planet in a single resource.

Early on, humanity looks to Seldon to guide them through various crises, before realizing that Seldon has pulled a bait-and-switch. There is no intention of publishing an encyclopedia with all of humanity’s knowledge included. Instead, Seldon has created a group to be a beacon of light in the dark times and to possibly consolidate and wield power. And so, over the course of several thousand years, Asimov details the men who will come to power and the crises that will face civilization continuing.

It’s a fascinating series of stories — ones that never fail to intrigue me or hook me. I will go out on a limb here and say that I don’t think Foundation is quite as solid as Asimov’s robot novels, but that’s probably because I read the Robot novels first. The first entry holds up well, though it does concern me how this might be adapted for the screen since most of (OK, all of) the huge dramatic action tends to take place off-screen and we’re treated to various characters talking about what happened and the ramifications of those actions.

I’ll still be tuned in for the upcoming series, though based on the previews, it looks like they’re adapting the first two books for season one. But after listening to this one again, I don’t hold out much hope that the series can and will be as good or as impactful as the book.

Now, time to keep that resolution and start the second installment….

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Review: Fantastic Voyage II: Destination Brain By Issac Asimov

vintage-sf-badgeFantastic Voyage II:  Destination Brain

In his introduction to Fantastic Voyage II: Destination Brain, Issac Asimov tells us that he wasn’t satisfied with his novelization of Fantastic Voyage and that this novel is an attempt to correct some things he didn’t like about the first novel.

The result is this book which is less a sequel to the original and more a re-telling of the original story and concept. Asimov tries his hardest to make the concept of miniaturization more scientifically plausible, but it’s at the the cost of making the second installment far less interesting and page-turning. The first novel took about half its page length to get the crew miniaturized and inside the human being in question to try and save life. Unfortunately, so does Fantastic Voyage II: Destination Brain. At several points, I found myself muttering “Let’s get on with the shrinking already” as our hero, Morrison expresses a sense of trepidation about the procedure he is about to undergo.

And it may be with Morrison that this book finds its biggest flaw. Asimov sets up our protagonist as a scientist whose fortunes and favor in the scientific community are on the decline. When approached by a Soviet agent about coming to the Soviet Union to help in an experiment, Morrison is quick to decline, despite the fact that he has no prospects on the horizon in the United States. Even when asked by his own government to go, Morrison declines and eventually has to be kidnapped and taken to the Soviet Union in order to become part of the team.

Morrison protests this treatment a lot over the course of the novel. It feels almost like Asimov wants to remind us every ten or so pages that Morrison has become part of this project against his will. This works to the detriment of the book. Part of the fun of the original was no matter who fantastic the situation, the participants were at least enthusiastic about the opportunity to travel inside a human being and possibly save his life. Here the motivation isn’t so much saving a life but not allowing a scientist to die without passing on vital knowledge that could make the process of miniaturization easier and more cost effective.

Yes, you read that correctly. One of the motivating factors for this journey inside the body of a man and to his brain is to unlock his secrets is entirely budgetary. A good reason, sure. But not exactly one that compels you to turn pages and wonder what will happen next. At least the first novel had the specter of the Cold War hanging over it to drive some of the character and plot motivations.

I kept hoping that once our team of scientists got miniaturized and injected into the subject that things might pick up. Unfortunately, this isn’t the case and the novel plods along at its leisurely pace even once we’re injected and running against the clock. The only moments of tension come when the ship is diverted by a white blood cell and later when Morrison is forced to go to extreme measures to try and make the mission a success. (And even then, he has to be blackmailed into it by the Soviet team though threats of destroying what little is left of his academic reputation.)

The book also suffers from the same flaw that several later Asimov projects do — his desire to tie all his universes together. Thankfully it’s not quite as egregious as Robots and Empire, but there’s a coda that makes Fantastic Voyage II: Destination Brain a stepping stone toward Asimov’s Robots and Foundation novels. It’s only a couple of pages and it’s meant to serve as a coda, so it’s a bit easier to overlook and forgive than some of the other examples from the Asimov library, but it’s still there.

Had I not read the original novel first, I might have liked this one more. Of course, had I not read the original I might not have been willing to give Asimov the benefit of the doubt I needed to keep plowing through this one in the hopes things would get better.

This one just validates my theory that 80’s Asimov output is no where nearly as entertaining and readable as those stories from his early career. I can see what he’s trying to do here, but I still think the original novel, despite all of its scientific implausibilities, is a more entertaining and enjoyable reading experience.

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