Time-travel isn’t a new trope in fiction, but Oona Out of Order‘s take on how time travel could work is one of the more interesting storytelling devices I’ve come across in time.
Each year on her birthday (which happens to be January 1), Oona Lockhart leaps forward or backward in time. Externally, she’s whatever age she would be in the year she’s arrived, but internally, she’s only aged one year. Each time she leaps (I couldn’t help but have visions of Quantum Leap while reading this novel), Oona equips herself with knowledge for the year, a secret binder containing information on investments that can be made to support her independently wealthy lifestyle, and a letter from her previous self to help get her up to speed on where she is in time and her various relationships.
Like Quantum Leap, Oona has her own version of Al — in this case, it’s her mother and her mysterious assistant Kenzi, both of whom are there to try and help her transition from one year to the next. Continue reading
Eighteen-year-old Natalie’s life is in a bit of turmoil. Waiting on her final exam scores that will determine her future collegiate and possibly professional choices, her parents pick Christmas Day to inform her they’re divorcing. Meanwhile, her best friends Zach and Lucy are dating and Natalie finds herself suddenly attracted to Zach’s “bad boy” older brother, Alex.
Natalie suffers from self-esteem issues from severe acne that has left scars — both physical and emotional.
But as she continues to be drawn to Alex, could it be that he’s drawn to her as well?
Nina Kenwood’s It Sounded Better in My Head is a refreshing entry in the young adult genre. As Natalie tries to come to terms with the vast changes taking place in her life, the first-person narration is always authentic. Natatlie’s confusion and concerns at this crossroads in her life ring true on each page (or in my case, in each minute of the audiobook). As Natalie struggles with her feelings about Alex and her changing world, I found myself rooting for her. And not necessarily for a perfect ending to everything, but one that rings true and works for Natalie.
It Sounded Better in My Head doesn’t find an insta-fix for all of Natalie’s concerns by the final pages. But it find a nice conclusion to the journey she takes over the course of this book. And while I was completely satisfied with where Natalie’s story ends in this novel, I wouldn’t be opposed to future books checking in on her and giving us a bit more of her journey.
\In an interview for a DVD extra, author Terrance Dicks notes that one aspect of his career he’s most proud of is his ability to meet deadline. As a person who understands the importance of writing on deadline, it’s easy to admire that about Dicks.
However, it’s also easy to lament that having to meet that deadline for a lot of Target Doctor Who novels in the mid-70’s means the adaptations are a bare-bones retelling of the script with little or no room for expanding the story. The image of Dicks handcuffed to his typewriter and having to churn out a new adaptation of a fourth Doctor script often springs to mind when I think of this era in Doctor Who publishing.
Which is what makes it a shame that Dicks wasn’t given the time to embellish and enhance stories like “The Robots of Death” like he did with “The Auton Invasion” or “Day of the Daleks.” Continue reading
The first (of many) books I purchased from the Target line of adaptations still holds a special little nostalgic place in my heart. Curious about the history of the series, I figured “The Five Doctors” would be a good point to get an overview and catch-up course on the twenty plus years of history surrounding Doctor Who. Picking up the shiny silver cover, I quickly took it home and consumed it. It more than satisfied my itch and was the seed from which a huge collection of Target novels grew.
The sheer fact that the story crams in as many continuity references and callbacks as it does and isn’t a complete shambles is a credit to Terrance Dicks. It’s interesting that given a laundry list of things that the production team wanted included that the person many people consider to be the greatest writer in the history of Doctor Who (classic or new) couldn’t find a way to crack it. When Robert Holmes passed on writing the anniversary story, the production team called on former script-editor and Target adaptation leader Terrance Dicks to give it a try. And somehow, Dicks managed to find a way to do what Holmes couldn’t, serving as a testament to his skills as a writer.* Continue reading
I’m not really sure why I skipped Nigel Robinson’s adaptation of “The Time Meddler” during my Target novel collecting days. Whether it’s that the relatively recent release date came with a higher price tag or that I didn’t really appreciate the serial during my teenage years, I don’t quite recall.
But this gap in my collection allowed me to come to Peter Purvis’s reason of the story without my memory cheating on the relative merit of the original novelization.
Coming at the end of the classic series’ second season, “The Time Meddler” is a pivotal point in Doctor Who history. Continue reading
While Molly Pescan-Suso has experienced 26 crushes in her life, she’s rarely acted on them. Entering the summer before her senior year, Molly yearns to find the right person to share a first kiss with and possibly take things from being a crush to actually being her significant other.
Now, Molly has two possible new crushes on her radar — the popular guy Wil and the fantasy t-shirt wearing, Reed. Which one, if either, will Molly chose makes up most of the drama and teen angst of The Upside of Unrequited.
Becky Albertalli caught my attention last year with the funny, entertaining and thought-provoking Simon vs the Homo Sapiens Agenda. And while Simon has an Easter egg cameo in this book, overall Upside ranks as one of the more disappointing stories I’ve read lately. Much of my frustration with the novel comes from its first-person narrator, Molly. Albertalli tries her best to make Molly self-deprecating about her lack of romantic experience, chalking a lot of it up to a lack of confidence because of her body type. Molly’s own self-image isn’t necessarily the most positive as she repeatedly refuses to believe that anyone else would find her attractive, despite there being signs from that two potential crushes might be interested in more than just being an unrequited object of her affection.
I get what Albertalli is trying to do with Molly and giving us the perspective of someone who is an outsider, looking in at what the “popular” kids (including her own twin sister) are doing. But it felt like Unrequited was getting a bit redundant and hitting all the expected romantic comedy touchstones for Molly instead of giving us an authentic journey for her. In the end, it feels only like Molly comes out of her shell because a boy likes her and not because she realizes that she has inherent worth as a person regardless of her external appearance.
Albertalli fills Upside with a diverse group of characters, many of whom feel one-dimensional. Too many of them feel like they’re summed up by one or two characteristics instead of being fully realized characters.
It all adds up to a disappointing sophomore effort by Albertalli. Maybe my expectations were too high for this one. But I can’t help but feel like this one had potential that it never quite lived up to.
If there has been one glaring omission from the classic Doctor Who Target novels audiobooks line, it’s “The Day of the Daleks.” One of the first serials adapted by Terrance Dicks, “Day of the Daleks” was one of the first Target novels I read (though it was under the U.S. Pinnacle reprint, including the fantastically, ranting introduction by Harlan Ellison) and it’s easily one of the strongest adaptations the line ever produced.
And while I was delighted that the story was finally getting the audio treatment, part of me was still a bit nervous about visiting this old friend from my Target-obsessed days. Could it live up to the greatness associated with it in my memory?
The good news is that it not only lived up to my fond memories of it, it may have even exceeded them. Continue reading
Whether it’s believing he’s the subject of a reality TV show like The Truman Show or joining the school band to get invited to a big Halloween bash, Greg Hefley’s trials and tribulations never end. That’s good news to this reader, who despite being too old to be in the targeted demographic for the Wimpy Kid novels continues to enjoy them.
Listening to the audio version of Diary of a Wimpy Kid: Double Down, I chuckled and laughed out loud multiple times as Greg continues to grow up. Whether’s it’s conspiring to win a jar full of candy in his school’s annual balloon launch or using the Internet to convince his parents that he’s actually learning to play the French Horn, Greg’s antics never failed to amuse. And despite not having the benefit of the cartoon illustration in the printed version, I found the novel and its narration creating some hilarious moments in my head as I traveled to and from work.
I also discovered that I’ve missed a couple of releases in the series and any now eager to go back and catch up on what I’ve missed.
Time again for Top Ten Tuesday (hosted by the Broke and the Bookish).
This week, we celebrate audio. I love a good audiobook and have listened to a fair number of them while commuting, working out and doing things around the house.
Right now, some of my favorite are the audiobooks of the Target Doctor Who adaptations. The Target book range adapted just about all of the classic Doctor Who serials to the printed page in the days before VHS, DVD or streaming. I read a lot of these multiple times growing up and fondly remember some of them. The audiobooks have allowed me to enjoy them again as a “big kid.” Here are a few of my favorites. Continue reading
While some of my peers were reading the Sweet Valley High or R.L. Stine’s novels, I spent my teenage years reading Stephen King and Target adaptations of classic Doctor Who stories. One of the most prolific authors of the Who range was former script-editor Terrance Dicks. If you take a step back and look at the sheer volume of novels published by Dicks during this era, it’s staggering — to the point that I had an image of poor Terrance chained to a desk, fed only bread and water and forced to hammer out adaptation after adaptation on his typewriter.
Visiting some of Dicks’ output again thanks to BBC Audio has only underlined again just what Dicks was able to do for an entire generation of Doctor Who fans — keep the series alive and fresh in our imaginations when we couldn’t see all the stories we wanted to again, much less collect them to sit our shelves. The fact that these novels are still readable and enjoyable today is a testament to just how good Dicks was.
“The Claws of Axos” comes from an era when Dicks wasn’t given as much time to adapt serials as he had in the bookends of his Doctor Who adapting career. “Claws” is pretty much a straight-forward adaptation of the original script with some nifty descriptions and one or two embellishments thrown in for good measure (for example, at the end when the serial ends with the Doctor’s chagrin at being “a galactic yo-yo,” Dicks allows the action to continue onward with everyone saying their farewells and the Doctor rushing out to ensure the UNIT guys don’t jostle the TARDIS). Continue reading