He steps back, steps back again. He can’t believe what I’m saying. Once, I might not have believed it, either. But the lie is the closest to the truth we’re going to get. We’re never going home. We Fall again and again, and every time it’s a little different, but it’s never right.
Grace is trapped in a loop that resets itself every five days. Despite her best efforts, she can’t find a way to escape the seemingly inevitable death of her boyfriend Ander at the hands of Finn.
Heaven knows she’s tried forty plus times now.
But landing in the latest loop, things feel different. Her twin brother Jem has returned, Ander has no memory of their previous Falls (he did in the first forty or so) and her family seems to be more functional. As Grace contemplates embracing the current Fall and staying in this set of events, she can’t shake off the feeling that there’s something she’s overlooking in trying to break the never-ending cycle of tragedy and death. Continue reading
An interesting take on young adult tropes, Moonhead and the Music Machine is one of the more bizarre and intriguing graphic novels I’ve read in recent memory.
Joey Moonhead is aptly named — he and his family have moons for heads. Trying to find his place in high school, Joey struggles between his parents’ expectations and his desire to fit in. When the school talent show comes up, Joey invents his own instrument and shocks his peer by not only playing but being pretty good at it.
Filled with things only a graphic novel can do, Moonhead and the Music Machine is an immersive, entertaining experience. On one level, it would be easy to zip through the story but doing that doesn’t allow for really taking in the various panels and visuals created by Andrew Rae. And while the story itself isn’t exactly a new one, Rae’s take on the coming of age young adult story is intriguing enough to make spending time with Joey Moonhead worth it.
In the interest of full disclosure, I received an ARC of this book from the Amazon Vine program.
With Gone Girl casting a huge shadow across the literary world, it seems like we get a potential “next Gone Girl” hitting the shelves every week.
On the surface, J.T. Ellison’s Lie to Me could be classified as another book trying to be the “next Gone Girl.” But that would sell her new psychological thriller short.
Ethan and Sutton Montclair appear to have a perfect life. Successful writing careers, the nice house, a perfect marriage. But if you pull back the layers a bit, things aren’t quite as perfect as they seem. Sutton is being harassed by a book blogger with an ax to grind, Ethan’s got a severe case of writer’s block and their marriage is on shaky ground from Ethan’s one-night stand and the death of their infant son. When Sutton vanishes one morning, leaving a note for Ethan not to try to find her, suspicion begins to fall firmly on Ethan. The discovery of a burned body that could be Sutton only ratchets up the scrutiny from the authorities and the media.
Ellison does a nice job of layering the tension in Lie to Me. As she peels away the layers of the Montclair marriage, we find out that neither Ethan nor Sutton is quite as innocent or as sweet as they portray themselves to the outside world.
While most of the novel is third-person narration, Ellison includes the occasional chapter from the first-person perspective of the mastermind of things. Determining who is speaking and what their vendetta is against the Montclairs really drives much of the novel
That is until we get the big reveal and things kind of go off the rails a bit.
I won’t ruin anything for anyone. But I can honestly say the first two-thirds of this novel had me gripped, intrigued and not able to turn the pages fast enough to see what development would come next. And then we get to the big reveal and I couldn’t help but roll my eyes a bit. I wanted to make the jump with Ellison, but I just couldn’t.
That’s not to say that Lie to Me isn’t a good novel. It is very good. It’s just not a great one. And that’s a shame because, as I said, the first two-thirds of it are completely compelling.
In the interest of full disclosure, I received an ARC of this book as part of the Amazon Vine Program.
Full disclosure: I’m probably not the intended audience for this book.
Betsy Singleton Snyder is a Methodist pastor with four children, including a set of triplets. Stepping on Cheerios is reflections on finding time for God and the divine even when your deep in the midst of parenting.
And while I’ll admit there were some observations that Snyder makes that are specific to women and mothers, there are also some universal themes of parenting and the chaos that can come with it here. With easy-to-relate-to stories, insights and Biblical tie-ins, this book was a nice devotional for my wife and I. And while we only have one toddler at this point in our lives, it’s easy to recognize ourselves in the stories related by Snyder.
As a parent, I found this book to be a nice reminder that we’re not the only parents who have our highs and lows. And it’s nice to be reminded that even in the midst of a Cheerios, Legos and other bits of childhood, we need to find time for God and that we’ve been given a great responsibility and joy in raising our daughter.
In the interest of full disclosure, I received an ARC of this book from the Vine program in exchange for an honest review.
Ever since she dipped her toe into a pool, Maggie has been obsessed with being the water. Driven to be one of the best swimmers in her state and country, Maggie is training hard for her final year of high school and her college career as well as a shot at the United States Olympic team.
But in between keeping her grades up and swimming laps, Maggie can’t help but wonder if she’s missing out on something. Namely, dating, guys, relationships and the logistics of making out. As Maggie ponders this situation, she begins to see her best friend and fellow swimmer, Levi in a new light. So Maggie proposes that Levi teach her the basics of making out before she graduates from high school.
What could possibly go wrong? Continue reading
Principal Linda MacDonald wants Career Day at Gaudalupe Middle School to be memorable. But as she frets over the language of her introductory speech, little does she know what will unfold on this day and how truly memorable it will be for herself, the students and the participants.
Laurie R. King’s Lockdown bills itself as a novel of suspense. And like a film by Alfred Hitchcock, King gets us to invest in her characters to help build and ratchet up the tension until it finally reaches a boiling point. And when it does, King not only earns the payoff, but has a few well foreshadowed surprises for readers as well.
Alternating between multiple viewpoints and characters, King invests the world of Gaudalupe Middle School with several potential scenarios, slowly building to the (seemingly) inevitable outcome and the lockdown of the title. Leading up to an event that is taken from today’s headlines, King gives readers multiple options of who and what might be the trigger for the events of Career Day. Continue reading
Looking for a different kind of vacation, Wini, Pia, Rachel, and Sandra book a whitewater rafting trip in an isolated region of Maine. Each of the women is seeking to escape an aspect of her life, whether it’s Wini coming to terms with the dissolution of her marriage and the death of her brother or Sandra never quite getting over how quickly Pia jumped into bed with one of her ex-boyfriends. Maybe a long weekend away from the modern world will help things.
Or everything could go horribly, horribly wrong.
What starts out as an adventure vacation soon becomes a fight for survival among the four friends.
Taking a page from Deliverance, Erica Ferencik’s The River at Night delivers a taut, page-turning tale of survival among the four friends (and their tour guide). Stuck out in the middle of no-where the group must overcome nature and each other to find their way home. And it won’t be easy because there are a number of obstacles along the path standing between them and civilization.
If I’m being a bit vague with this review, it’s for a reason. There are some nice surprises and turns of the story that you’re better off discovering for yourself. And like the bend of a river, it’s more fun to be surprised about what’s ahead than have every moment of the trip mapped out. The novel spends a good quarter of its length establishing the characters and the details of their lives before beginning to put them through an emotional and physical ringer.
In the interest of full disclosure, I received a digital ARC of this book in exchange for an honest review.