Billy Summers is one of the best in his business. However, that business is killer for hire, where Billy puts his military sharpshooter training to good use. Billy justifies his chosen profession by telling himself he only takes jobs where he’s eliminating “bad guys.”
Realizing that he’s only got a certain number of “bad guys” he can take out, Billy decides to take one last, extremely lucrative job and retire.
But what he didn’t count on was that while getting in place for the kill, that he’d start to immerse himself in the community around him, connecting with his neighbors under his assumed identity, and even starting an itch to put down some roots or establish a few human connections. Of course, Billy then has to complete the job, leaving those who met him, knew him, and grew to love him, scratching their heads at how this nice guy who played Monopoly with the kids could be a cold-blooded killer.
One thing you can say about Stephen King is he never writes the same book twice. He may revisit some of the same themes in his work — especially when it comes to exploring the process and the implications of writing — but he doesn’t repeat himself when it comes to characters and situations. And while he’s primarily classified as a horror writer, I’d argue that in the last decade or so, he’s moved away from just writing about the supernatural. Continue reading