I’m not really sure why I skipped Nigel Robinson’s adaptation of “The Time Meddler” during my Target novel collecting days. Whether it’s that the relatively recent release date came with a higher price tag or that I didn’t really appreciate the serial during my teenage years, I don’t quite recall.
But this gap in my collection allowed me to come to Peter Purvis’s reason of the story without my memory cheating on the relative merit of the original novelization.
Coming at the end of the classic series’ second season, “The Time Meddler” is a pivotal point in Doctor Who history. Continue reading
“I believe you feel regret but in my mind you are dangerous.”
One thing that’s interested me so far about Star Trek: Discovery is that while the title of the episode doesn’t flash on screen (I promise, I’ll try and get past it at some point!), it’s been incorporated in dialogue in each of the first three installments. Maybe the title is supposed to be an Easter egg for fans in the same way as the tribbles we see in Lorca’s ready room. Continue reading
Dear producers of The Orville: More episodes like this one, please.
Not sure yet if this episode will be the exception or the rule, but I’m hoping it becomes the rule. While not perfect, “About a Girl” feels like it’s a step in the right direction.
Which, knowing Seth MacFarlane can only mean next week will the series take on “The Naked Now” only instead of acting drunk, everyone will act like they’ve had one too many of the special brownies the replicators can whip at the drop of a hat. Continue reading
With “Battle at the Binary Star,” Star Trek: Discovery takes some of the pieces introduced in “The Vulcan Hello” and begins to move them into place for the next thirteen episodes.
It doesn’t hurt that “Binary Star” includes one of the best space battles that Trek has ever committed to celluloid in either a series or a movie.
It’s interesting to see Discovery has taken a different tactic to most of the other modern Trek shows with its two-hour pilot. Each modern Trek had everything in place by the end of the first two hours. At this point in Discovery, the only regular cast member we’ve spent significant time with is Michael Burnham. And we haven’t even seen her assume her new role on board her new ship. We haven’t even seen the ship that gives the series its namesake. Continue reading
Star Trek has introduced viewers to new series on one of two ways.
Pictured (l-r): Doug Jones as Lieutenant Saru; Sonequa Martin-Green as First Officer Michael Burnham; Michelle Yeoh as Captain Philippa Georgiou. STAR TREK: DISCOVERY coming to CBS All Access. Photo Cr: Jan Thijs. ÃÂ© 2017 CBS Interactive. All Rights Reserved.
The first is the sink or swim approach utilized by “The Man Trap.” The episode threw viewers into the universe of Star Trek with little or no exposition or character introduction. (Of course, it helps that “The Man Trap” feels like the middle portion is a “day in the life of the Enterprise”).
Then there’s the get the crew together and start having adventures model used by the four modern Treks. There may be an emphasis on a central character (Sikso for DS9) and a lot of exposition on the setting, place in the Trek-verse and potential storylines that may or may not be examined during the series run.
Now with (for lack of a better term) post-modern Trek, Star Trek: Discovery starts off with a hybrid of those two models. Continue reading
While “Old Wounds” introduced us to the universe of The Orville and its characters, the episode really didn’t tell us much about the characters beyond a basic character tic or bio line.
And while “Command Performance” still suffers from many of the issues that played the pilot episode in terms of establishing a tone for the series, it at least tried to give us a bit more insight into a few of the characters. Continue reading
There are a lot of things about “Revenge of the Cybermen” that don’t make sense.
But the biggest thing comes not from anything that takes place on-screen but the serial’s place in Doctor Who history.
Back in the 80’s as VCRs became more and more common in homes, the BBC decided to test the waters with a commercially released classic Doctor Who serial. And for this honor, they decided to pick something from what many fans considered the pinnacle of Doctor Who – the Tom Baker starring, Robert Holmes script-editing, Phillip Hinchcliffe producing years.
Somehow classics like “The Ark in Space,” “The Pyramids of Mars” or “The Robots of Death” were passed by and instead the world got “Revenge of the Cybermen.”
Who-lore from the era tells us that the BBC polled fans at a convention and a mix-up between “Revenge of the Cybermen” and the then missing “Tomb of the Cybermen” occurred. Seems fans wanted “Tomb.” Instead we got “Revenge.” Continue reading