A rainy afternoon turns into a parents’ worst nightmare. A five-year-old boy slips from his mother’s grasp and runs out in front of a car. What follows is a set of tragic events that set into motion that gripping mystery story, I Let You Go.
Haunted by the event, Jenna Gray flees to an isolated town, renting a home with little or no contact with the outside world. Meanwhile, the police task force assigned to the case is haunted by the fact that no witnesses will come forward and they can’t seem to find the missing piece of the puzzle to understand this tragic event, much less track down the culprit.
After an initial character choice that took me out of the novel for a moment (the lead detective’s name is Ray Stevens. As a big fan of the musician Ray Stevens, it took me a few pages to not see my favorite singer in the role as the lead detective), I Let You Go, slowly ratchets up the tension and suspense until the layers of the central mystery are slowly peeled back. It all adds up to one of the more satisfying series of revelations, character examinations, and solutions to the central mystery I’ve read. Every twist is earned and while I saw a few coming, Mackintosh pulls up a few surprises within the story.
I Let You Go is a bit of a slow-burn. The first half is all about putting the pieces on the board and setting up our assumptions of the characters, situation, and mystery. The second half is about pulling the rug out from under the readers in the most satisfying way possible. Be prepared to blaze through the second half of the novel and possibly stay up a bit later reading than you’d originally planned.
Seeking to escape from her patient turned stalker, psychologist Faith Corcoran changes her identity and relocates to Cincinnati to begin a new life in her grandmother’s home. Her desire to have a quiet life off the radar quickly goes sideways when Faith comes across one of two kidnapping victims on the lonely road to her new home. Now, she’s drawn into the investigation and its lead investigator, Deacon. Will they be able to figure out how Faith’s stalker might be tied to this new kidnapper before time runs out on the other kidnapping victim?
Billed as “romantic suspense,” Karen Rose’s Closer Than You Think is chock full of both. Faith and Deacon’s instant chemistry screams off the page, despite multiple warnings from Deacon’s co-workers that he shouldn’t get involved with a victim in a case he’s investigating. The suspense factor comes from the investigation into where the other girl is and what the potential connection is to Faith’s family and her past. Continue reading
When you write a book as successful as The Girl on the Train, expectations for your second novel are going to be through the roof. Paula Hawkins crafted one of the most page-turning novels of the year with Girl.
For her sophomore effort, Hawkins presents another shifting viewpoint mystery/thriller, but this time around readers are given more than three characters viewpoints to follow. With Into the Water, Hawkins attempts to go a bit deeper into the mystery of two drowning in a small town and the impact the crime has on the community. Like many of today’s better mystery writers, Hawkins’ story is not just interested in revealing the solution to the crime but also at the factors that led to the crime being committed and what that means for the characters that inhabit her world. Continue reading
Henrietta Hoffman (better known as Hattie in her small town) wears a lot of hats. Whether it’s honor’s student near the top of her senior class, the loving daughter of her parents or the dutiful girlfriend. But does anyone really know the REAL Hattie Hoffman?
Mindy Mejia’s Everything You Want Me to Be examines a year in the life of Hattie Hoffman as she struggles to find out the role she really wants to play in life. The big problem is that just as Hattie is figuring out who she wants to be, she meets an untimely end under suspicious circumstances. Continue reading
It seem like a lot of the mystery novels I’m drawn to these days feature an unreliable narrator (or narrators in the case of The American Girl). Whether this is due to the success of novels like Gone Girl and The Girl on the Train has encouraged publishers to jump on the unreliable narrator bandwagon or that it’s just that I’ve become more aware of this particular narrative hook, I’m not sure.
What I do know is that, at this point, it takes a lot to make an unreliable narrator story stand out to me.
Kate Horsley’s The American Girl was able to do that. Well, at least it was able to do that for the first hundred or so pages. Continue reading
Seven and seventeen and five. That’s how Aubrey Hamilton breaks down her life.
The seven years before she met Josh, the seventeen years they knew each other and were together and the five years since he went missing. Josh vanished the night of a friend’s bachelor party under mysterious circumstances. Five years of questions, rumors and a trial for Aubrey haven’t provided any answers as to where Josh went or why.
As the state of Tennessee has her husband legally declared dead, Aubrey’s life takes an interesting turn with a man who reminds her a lot of Josh and the coming battle with her mother-in-law, Daisy, over the beneficiary of Josh’s rather large life insurance policy.
With the abundance of unreliable narrator mystery/thrillers on the market today, J.T. Ellison’s No One Knows could easily feel like it’s just another entry in an already crowded field. But Ellison deftly weaves in enough questions about Josh’s disappearance and gives readers just enough of a glimpse of the history of Josh and Aubrey to set the hook early and continue reeling you in for the entire story’s length. Continue reading
For the first half of Pretty Girls, Karin Slaughter teases us with details of the lives of sisters Claire and Lydia. Their family was torn apart twenty years ago when their sister vanished under mysterious circumstances from the University of Georgia and now a recent, similar girl’s disappearance unearths some old memories, feelings and resentments.
Both sisters hold pieces of the story — and it’s not until Claire’s husband is killed in a random act of robbery on an Atlanta alley that the two get back together and begin to see that things weren’t necessarily what they seem in their family, then or now.
It’s once we reach the the mid-point of the novel and the threads start unraveling that Slaughter’s Pretty Girls takes a big left turn and slowly begins to leave credibility in the rear view mirror. I found myself rolling my eyes on multiple occasions as Slaughter reveals the secrets held not only by Claire’s husband but by members of her own family in connection with the kidnappings. Instead of being shocking, these revelations made me think, “Oh really? You must be kidding” on multiple occasions.
With cover blurbs by some of the better suspense writers in the business today, I was expecting a lot more from Pretty Girls. And for the first half of the book, it delivers on the promise of those blurbs. It’s just the ending that left me feeling a bit let down by the entire experience. This was the first novel I’ve read from Slaughter in some time and while the first half had me eager to dive into her back catalog, the last half of the story made me a bit wary.