Collecting a dozen or so issues of the original run of The Amazing Spider-Man, this may represent the most memorable stories of the Gerry Conway era. Starting off with the epic two-part story that “changed comics forever,” “The Night Gwen Stacey Died” set a new tone for the Peter Parker and his secret identity. It’s one of the few comic book deaths (outside of Uncle Ben) that has really stuck, though Marvel has certainly tried to mess with this by having clones of Gwen come back and then later revelations that Gwen and Norman Osborne were hooking up while she was off in London.
The two part story that features the end of Gwen and the original Green Goblin has been retold and given homage in multiple re-tellings of the Spider-Man story. But few are better than what Conway does in these two issues. Knowing the ending allows you to sit back and really examine how Conway and the creative team on ASM toyed with readers of the day, building up and foreshadowing the two major deaths to come.
As if that monumental two-part saga weren’t enough, we also get the introduction of the Punisher to the Marvel-verse and the Jackal to the Spider-verse. And both of these introductions occur in the same issue. The sad part is that said issue isn’t necessarily much to write home about. The Punisher is an interesting force to be reckoned with, but in his debut, he’s pretty much a one-note character. The backstory that we associate with the character comes later. Continue reading
As a re-imagining of the “Table of Time” saga from multiple issues of The Amazing Spider-Man, Spider-Man: Forever Young is a bit of a disappointment.
The strongest parts of the story are borrowed directly from a couple of issues in the Stan Lee/John Romita days of ASM. Filled to the brim with angst for Peter Parker, multiple villains for our favorite web-slinger to contend with and a McGuffin to drive the story (in this case, an ancient tablet that contains the formula for a fountain of youth serum), the first half of the story is entertaining, riveting and chock full of classic Spidey goodness. Continue reading
After penning a hundred issues, Stan Lee turns the reigns over to writer Roy Thomas (at least for a couple of issues) and there’s a perceptible change in the storytelling quality.
Seeking to cure himself of being Spider-Man in order to have a normal life, Peter Parker downs an untested serum, falls into a deep sleep (in which we are treated to a summary of Peter Parker/Spider-Man’s life up to now) and wakes up with six arms. Horrified by what he’s done, Peter scrambles to find a cure all while battling new threat Morbius the vampire and the return of the Lizard.
Another arc centers on Flash Thompson’s return from Vietnam and the fall-out from his attempting to do the right thing for a group of villagers. The arc starts well for Flash but quickly goes in an entirely less than politically correct direction for the remainder of its run.
Then Spidey and company are off to Antartica to find Ka-Zar’s forgotten world and deliver a photo feature that will save circulation at the Daily Bugle. (Interesting to see that newspapers were having issues with circulation back then and not just as we continue to explore the digital age). Gwen Stacey tags along as a model, which complicates things when Peter has to go all Spider-Man to battle Kraven the Hunter as well as various prehistoric beasts that inhabit the area. Continue reading
My first thought when I heard Marvel was producing a new series centering on Hawkeye was that it was a marketing thing to cash in on the heroes’ new-found popularity thanks to the cinematic universe.
But then I heard the buzz that there might be more to this than meets the eye. Add in that the new series is written by Matt Fraction, author of the brilliantly subversive Sex Criminals comic books and the series had my interest.
So when my local library got in the first collected edition of the new Hawkeye, I picked it up. Continue reading
When the best thing you can say about a comic book cross-over event is — well, at least the art was nice, you know something isn’t quite working. Or maybe that this particular cross-over event isn’t your cup of tea.
Collecting the six-issue run of Star Trek/Green Lantern: The Spectrum War, this limited run series is not two great tastes that taste great together. In one reality, the Green Lantern corp has just been wiped out by some evil force. Rings of various colors hop over to the JJ Trek verse and assign themselves to familiar faces in the final frontier.
Adventure ensues. Along the way, there’s a massive battle between all the various colors of the spectrum and the planet Vulcan comes back from the dead, complete with zombie Vulcans.
And yet for all of this, I couldn’t help but feel that I’d arrived late for the party and missed some important details that reduced my enjoyment of this crossover event. It could be that my familiarity with Green Lantern is limited to what I’ve seen in the DC cartoons and the big screen version of the character with Ryan Reynolds. I hope that those who are more versed in Lantern lore will get more of seeing why various rings chose certain characters that I missed here. And I suppose if I recognized any of the Green Lantern pantheon of foes beyond Sinestro, I might have felt a bit more drive and drama to the battle to save the universes.
Instead, what I felt for much of this collection (beyond the first issue) was confused and uninterested. The third issue does little more than tread water as we set up things for the return of zombie Vulcan and Scotty inventing his own power ring.
In all honesty, I can’t necessarily recommend this one to a casual fan. It feels like we’ve got a shoehorning of the JJ-verse Star Trek characters into a Green Lantern event mini-series. And it’s one that left me as cold as General Chang’s bones in space at the end of this story.
In the interest of full disclosure, I received a digital ARC of this comic book in exchange for a fair and honest review.
View all my reviews
Star Trek Volume 11 by Mike Johnson
My rating: 3 of 5 stars
IDW’s re-imagining of certain episodes of the original (and still the best) Star Trek has been hit or miss. This latest installment, collecting issues 46 – 49 of the on-going series is no exception.
The collection starts off with a re-telling of one of my favorite installments from classic Trek, “The Tholian Web.” As with other re-imaginings of episodes from the original series, I find myself torn between wanting the story to be as faithful as possible to the original story and somehow offer me something new to make it feel like it’s worth my time to spend reading this version of the story. Unfortunately, this telling of the Tholian storyline doesn’t really succeed on either level. The new twist is that in the re-imagined universe, the NCC-1701 has the ability to separate the saucer section. So the Enterprise is in two pieces, trapped in the titular web, which I suppose should double the drama. Instead it merely isolates the characters who need to be working together to get out of this region of space. Continue reading
When Jughead’s old pal Hot Dog is hit by a car, the distraught teen takes him to Sabrina and her family to bring him back to life. While her aunts refuse, Sabrina is moved by Jughead’s plight and taps into some dark magic to bring Hot Dog back to the land of the living.
Apparently all the copies of Pet Semetary were checked out before Jughead decided to this. Because while Hot Dog does come back, sometimes dead is better. Before you know it, Hog Dog has unleashed a wave of zombie terror in Riverdale — and wouldn’t you know it, on the night of the big dance!
Afterlife with Archie is a hybrid of the squeaky clean stories of Archie, Jughead and company and the gritty, over the top horror of The Walking Dead. Reading that sentence, you might think these are two things that won’t go well together. But instead of being jarring, the two pieces fit well together, giving us a band of survivors that we know and can root for all while watching their world go to hell in a hand basket as several familiar faces become zombies and begin attacking.
And yet for all the humans who did in this collection (and there are a few), it’s interesting that the death that readers may feel the most is Archie’s beloved old dog pal. Heading home to check on his parents, Archie comes across the zombie Hot Dog and looks doomed, only to see his old pal step in to save his life one last time. The use of thought balloons to narrate Archie’s pal’s internal monologue and thoughts about saving his beloved master are moving at first, turning tragic as the zombie virus consumes him and he turns on Archie.
I won’t lie and say I wasn’t more than a bit moved by this moment and the emotions that this comic taps into. I also won’t lie and say I caught every nuance of the storyline because I’m not necessarily familiar with every character and cliche from the world of Archie comics on display here.
But none of that matters because this collection of five issues works well as a homage to both the tropes of Archie and horror stories.