For some odd reason, I never picked up a copy of “The Horror of Fang Rock” during my Target novel collecting days. Whether it’s because the bookstores I frequented didn’t have a copy or there were other books that got my hard-earned cash instead, I don’t know.
So, I came to the audio version of the fourth Doctor and Leela adventures without any memories of the original on the printed page.
And I’ve got to admit, this one was pretty well done. Adapting his own script, Terrance Dicks creates a bit more backstory for some of his characters and gives the reader some context as to the social norms and assumptions of the day. These additions give a greater depth to how some of the characters interact over the course of the novel.
And while his adaptation of “Horror of Fang Rock,” doesn’t necessarily create a larger canvas for the story like “Day of the Daleks” or “The Auton Invasion,” “Fang Rock” still feels a bit more substantial than others from this era that simply feel like Dicks is adapting the shooting script for the printed page.
The audio version of the story adds an extra layer of tension to the already tense story, thanks in large part to the performance of Louise Jameson. While the actress who brought Leela to life has been a fixture in the Big Finish range, this is her first Target novel reading. Based on the work she’s done here, I hope it won’t be her last. Jameson reads the story like we’re gathered around a camp fire and she’s sharing a scary tale with us. Jameson wisely doesn’t try to offer her imitation of each actor from the original broadcast but instead creates her own performances for each of her characters. It goes without saying that her Leela is a highlight of this novel.
When Eleanor Roxy-Frost and Billy Frost decide to go their separate ways, they decide to divide everything equally. This includes their twin daughters, Tabitha and Harper.
And so, at the age of seventeen, the sister play a game of rock/paper/scissors to decide who “wins” and gets to go with Billy and who “loses” and has to go with their mother. Decades later, the outcome of that game casts a long shadow over the lives of the estranged twin sisters.
When their father passes away, the sisters are forced back into each other’s orbit. Harper lives on Nantucket, where she’s done everything from landscaping to package delivery to being an unwitting drug mule. The last position has granted her a bit of infamy on the island (and the ire of the drug cartel she unwittingly helped bring down), but not nearly as much as the latest news that she’s having an affair with her father’s married doctor.
Tabitha lives on Martha’s Vineyard with her rebellious teenage daughter, Ainsley and works in her mother’s sinking boutique (based on her mother’s line of clothing and an infamous dress designed years before). Referred to by an ex-boyfriend as “a piss-poor parent,” Tabitha blames Harper for everything that has gone wrong in her life, including the death of her infant son, Julian, fourteen years ago. Continue reading
There are times reading a Terrance Dicks adaptation of a classic Doctor Who serial that I imagine the poor man, chained to a typewriter, given only bread and water and told to churn out the next Target adaptation as quickly as possible. Dicks was prolific adapting the classic Who stories in the age before we could own the entire run on VHS or DVD. And many times he could turn a less than memorable story into a more memorable one by either harnessing the reader’s imagination or creating some deeper characterization than we were treated to on-screen.
Unfortunately, he’s not able to do much with the second story of the Peter Davison era, Four to Doomsday. It’s an entirely faithful adaptation of what we saw on our screens with little or no room for embellishment. The televised version had Monarch offering commentary on what the Doctor and his companions were up to across the ship with jump cuts for a reaction and a word or two. The novel keeps those intact and feels a bit scattered and unfocused at times. Dicks also tries his best to give some motivation to Adric’s shifting loyalties and trying to make sense out of the long term invasion plan that Monarch is running. Neither is entirely successful, but it’s nice of him to try.
This one was part of my Target collection back in the day and I believe I picked it up right after seeing the serial in question repeated on my local PBS station. Years later, listening to it again as an audiobook, I found myself enjoying it a bit more than on the printed page simply because of the performance by Matthew Waterhouse. Yes, you read that correctly.
While he was never the strongest asset to the series, Waterhouse has delivered a couple of nicely performed audio books in the Target range. Waterhouse ably mimics the speech pattern of Monarch and he gives the reading some subtle shading as it goes along. It doesn’t help make the story itself any better, but it did lead me to enjoy listening to this story again a lot more than I originally expected.
It also made me almost give into an urge to dust off the DVD and give the story another look.
Whether it’s believing he’s the subject of a reality TV show like The Truman Show or joining the school band to get invited to a big Halloween bash, Greg Hefley’s trials and tribulations never end. That’s good news to this reader, who despite being too old to be in the targeted demographic for the Wimpy Kid novels continues to enjoy them.
Listening to the audio version of Diary of a Wimpy Kid: Double Down, I chuckled and laughed out loud multiple times as Greg continues to grow up. Whether’s it’s conspiring to win a jar full of candy in his school’s annual balloon launch or using the Internet to convince his parents that he’s actually learning to play the French Horn, Greg’s antics never failed to amuse. And despite not having the benefit of the cartoon illustration in the printed version, I found the novel and its narration creating some hilarious moments in my head as I traveled to and from work.
I also discovered that I’ve missed a couple of releases in the series and any now eager to go back and catch up on what I’ve missed.
Since the beginning of the Target audio book range, there have been a couple of the classic Doctor Who adaptations that I really wanted to see get the audio treatment. So imagine my delight when the range included several of those titles last year, including my all-time favorite Doctor Who serial and one of my favorite adaptations, “The Curse of Fenric.”
The Doctor and Ace arrive in World War II at classified naval base where one of the first computers is being used to break the German coded ciphers. But with the arrival of a group of Russians, it soon becomes clear that a bigger game is being played — one that the Doctor has known was coming ever since he met Ace.
To number the ways I love “Fenric” could take all the characters I have left in this review and it wouldn’t even crack the surface. While the storytelling in the late 80’s wasn’t quite as serialized as we see in many of the television series today, seasons 25 and 26 did insert a loose character arc for Ace. Continue reading
Cassie’s mother taught her a lot of things — including how to read people. But Cassie’s ability is far more than just figuring out clues about a person in order to give them a psychic reading. She has a natural ability as a profiler — something the FBI is aware of and wants to take advantage of.
Recruited to a team of fellow teens with natural abilities (Dean can profile, Lea can read if you’re lying, Sloane is gifted in reciting facts and figures and Michael can really, really read people), Cassie is promised that she’ll get to enhance her abilities and maybe use the FBI resources to finally track down who killed her mother.
The world that Jennifer Lynn Barnes has created for her The Naturals series is a fascinating one. The idea that there would be five teens who would come together as a kind of Criminal Minds for the younger set works very well. It also creates a very bizarre household where there are body outlines in the swimming pool, a test lab in the basement and a library full of cold cases for Cassie to train on.
When The Naturals sticks its procedural aspects, it works very well. I’ll give Barnes a lot of credit — she was able to put in enough red herrings as to who the central villain of this novel was to keep me guessing (wrongly as it turns out) over the entire run of the book. Continue reading