Whether it’s believing he’s the subject of a reality TV show like The Truman Show or joining the school band to get invited to a big Halloween bash, Greg Hefley’s trials and tribulations never end. That’s good news to this reader, who despite being too old to be in the targeted demographic for the Wimpy Kid novels continues to enjoy them.
Listening to the audio version of Diary of a Wimpy Kid: Double Down, I chuckled and laughed out loud multiple times as Greg continues to grow up. Whether’s it’s conspiring to win a jar full of candy in his school’s annual balloon launch or using the Internet to convince his parents that he’s actually learning to play the French Horn, Greg’s antics never failed to amuse. And despite not having the benefit of the cartoon illustration in the printed version, I found the novel and its narration creating some hilarious moments in my head as I traveled to and from work.
I also discovered that I’ve missed a couple of releases in the series and any now eager to go back and catch up on what I’ve missed.
While some of my peers were reading the Sweet Valley High or R.L. Stine’s novels, I spent my teenage years reading Stephen King and Target adaptations of classic Doctor Who stories. One of the most prolific authors of the Who range was former script-editor Terrance Dicks. If you take a step back and look at the sheer volume of novels published by Dicks during this era, it’s staggering — to the point that I had an image of poor Terrance chained to a desk, fed only bread and water and forced to hammer out adaptation after adaptation on his typewriter.
Visiting some of Dicks’ output again thanks to BBC Audio has only underlined again just what Dicks was able to do for an entire generation of Doctor Who fans — keep the series alive and fresh in our imaginations when we couldn’t see all the stories we wanted to again, much less collect them to sit our shelves. The fact that these novels are still readable and enjoyable today is a testament to just how good Dicks was.
“The Claws of Axos” comes from an era when Dicks wasn’t given as much time to adapt serials as he had in the bookends of his Doctor Who adapting career. “Claws” is pretty much a straight-forward adaptation of the original script with some nifty descriptions and one or two embellishments thrown in for good measure (for example, at the end when the serial ends with the Doctor’s chagrin at being “a galactic yo-yo,” Dicks allows the action to continue onward with everyone saying their farewells and the Doctor rushing out to ensure the UNIT guys don’t jostle the TARDIS). Continue reading
Doctor Who: Masters of Earth by Cavan Scott
One of the problems with an audio drama featuring the Daleks is they aren’t exactly the most exciting aliens to listen to for any length of time. Or heaven forbid you have two or even three Daleks carrying on a lengthy conversation that includes plot details or developments.
It’s not to say that I don’t like the Daleks. They’re my favorite Doctor Who adversary, but I think that in order to do them right in the audio dramas, you have to be a bit more creative than you would on TV.
Give props to Masters of Earth for at least trying to do something creative with the Daleks in the realm of Big Finish audio dramas. Arriving on Earth during the Dalek occupation, the sixth Doctor is ready to jump back into the TARDIS and leave to prevent himself or Peri contaminating his own personal time line. Seems he’s arrived a couple of years before his first incarnation will help overthrow the Daleks and liberate the planet.
But before you say “Exterminate,” the TARDIS sinks into a bog and the Doctor and Peri are caught up with the resistance on a cross-country trip that will include encounters with RoboMen, Varga plants and the Slyther. If you’re a fan of 60’s Who and in particular the Dalek stories from those early days, there are a lot of nice homages to that era.
But homages to an era do not a story make and it’s in the story that Masters of Earth really feels like it let me down. Because the Doctor can’t affect any change, there’s not a lot for he and Peri to do, besides avoid changing history and letting the Daleks know he’s on the scene. There are some interesting chases involving Daleks on gliders (an homage to the 60’s comics), but overall I can’t help but feel the story had more potential than was realized in what we got here. Continue reading