One of the eternal questions debated on many a playground is if you could pick one superpower, which one would it be and why? Odds are that a lot of the responses are going to be the old standards of flying, running fast, or becoming invisible.
The becoming invisible portion is the basis for one of the building blocks of the science-fiction genre in H.G. Wells’ The Invisible Man. Odds are that even if you haven’t read it, you’re aware of the basic outline of the story thanks to multiple pop-culture retellings or uses of the character over the years.
For this year’s Vintage SciFi Month, I decided that I’d take a look at the foundational novel in the genre and see if it holds up.
Since it was included as part of my Audible subscription, I decided to take advantage of it and began listening. And immediately found myself not really looking forward to going back to it. The story of a scientist who invents a serum that allows him to become invisible and then becomes a raging ball of id just never quite connected with me this time around. Doing a bit of research, I found that Wells initially serialized the story, which then put into the Doctor Who frame of mind of figuring out where the cliffhangers all were. And maybe the story would have worked better unfolding in weekly or monthly installments. But I’m honestly not so sure. Continue reading
Until five missing episodes miraculously turned up in time for the series’ fiftieth anniversary, the only thing most Doctor Who fans had to judge “The Enemy of the World” on was an orphaned middle-episode that didn’t really highlight the story’s strengths and Ian Marter’s Target adaptation. So, it shouldn’t come as a surprise that once we had the complete serial back in the archives and available to view that the collective fan assessment might rise over the last half-dozen or so years.
It’s hard to blame Marter for the failings of this Target novelization. Clocking in at a mere 127 pages, Marter is hard-pressed to compress six episodes. He does try nobly to do so, but in the end, it never quite works. Scenes are dropped and while the outline of the story is still there, it never quite feels as solid as the David Whitacker scripts were on-screen. There are some interesting choices of what to leave out and what to include by Marter over the course of the novel.
But it’s not like Marter hasn’t shown he can compress a large number of episodes into a smaller amount of pages. He will later do it with the Patrick Troughton era serial, “The Invasion.” Of course, having emotionless adversaries at the heart of that one may have helped a bit.
As with all of Marter’s novelizations, there is a darker streak running through this story with all the on-screen deaths being just a bit more gruesome on the printed page.
At least the audio version of this story has Patrick Troughton’s son David performing the story. His interpretations of his father and the other actors in this story are spot-on and well done. I’m just glad the serial is back now so we can compare his take with what the actors did on-screen.
Eighteen-year-old Natalie’s life is in a bit of turmoil. Waiting on her final exam scores that will determine her future collegiate and possibly professional choices, her parents pick Christmas Day to inform her they’re divorcing. Meanwhile, her best friends Zach and Lucy are dating and Natalie finds herself suddenly attracted to Zach’s “bad boy” older brother, Alex.
Natalie suffers from self-esteem issues from severe acne that has left scars — both physical and emotional.
But as she continues to be drawn to Alex, could it be that he’s drawn to her as well?
Nina Kenwood’s It Sounded Better in My Head is a refreshing entry in the young adult genre. As Natalie tries to come to terms with the vast changes taking place in her life, the first-person narration is always authentic. Natatlie’s confusion and concerns at this crossroads in her life ring true on each page (or in my case, in each minute of the audiobook). As Natalie struggles with her feelings about Alex and her changing world, I found myself rooting for her. And not necessarily for a perfect ending to everything, but one that rings true and works for Natalie.
It Sounded Better in My Head doesn’t find an insta-fix for all of Natalie’s concerns by the final pages. But it find a nice conclusion to the journey she takes over the course of this book. And while I was completely satisfied with where Natalie’s story ends in this novel, I wouldn’t be opposed to future books checking in on her and giving us a bit more of her journey.
While finishing up her Christmas shopping in a crowded Seattle market, Marin Machado lets go of her four-year-old Sebastian’s hand for just a moment to text back to her husband. But in those moments, Marin’s world is shattered when Bash disappears and can’t be found.
Fifteen months later, Marin still hasn’t recovered from the shock and her marriage to Derek is on rocky ground. Haunted by “what ifs” with Bash, Marin wasn’t expecting the private eye she’s hired to discover another secret — Derek is having an affair with a younger woman named MacKenzie Li.
Enraged, Marin turns her pent up and anger and frustration about doing whatever it takes to rid herself of MacKenzie, which includes stalking her at her place of work, researching her on social media, and installing a shadowing app so she can keep track of everything Kenzie and Derek say to each other. Continue reading
The final televised Third Doctor story to reach the printed page was something of a disappointment when I read it initially thirty plus years ago. However, thanks to the audiobook line from BBC Audio, I was given the opportunity to visit the story once again.
In the years since I first read the novel, “The Ambassadors of Death” has grown a bit in my estimation. Yes, it’s still the weakest story of season seven, but that’s damning a bit with faint praise.
Terrance Dicks’ adaptation of the John Whitacker/Malcolm Hulke script does a serviceable job of trying to condense seven episodes into the mandated page count. Dicks is able to streamline some of the action sequences (Liz Shaw’s car chase, for example, takes about a paragraph or so) and give a bit more time and space to early developments. However, after listened to some of Dicks’ earlier works when he was given more time to develop the characters and add in some background details to the situation, I can’t help but wish he’d had don that here. Imagine the Dicks who wrote “Day of the Daleks” being allowed to fill in the history of the Mars Probe missions or even time to make General Carrington a bit more of a sympathetic villain (or at least give us a better understanding of his motives).
I can’t help walking away from this one feeling like it’s a missed opportunity more than anything.
And yet, for all of that, the audio version was still a pleasure to listen to. Part of that is narrator Geoffrey Beavers, who could probably read Malcolm Hulke’s grocery list and it would be utterly scintillating to the listening ear. Once again, Beavers shows he’s one of the jewels in the audio book line.
The best DVD commentaries come when the participants have had an opportunity to perspective thank to the passage of time. It allows for a more honest assessment of what worked, what didn’t work and what could or should have done differently.
Listening to Suzy Favor Hamilton’s Fast Girl, I kept feeling like I wish she’d allowed a little more time to pass before penning (or in this case ghost-writing) her autobiography. Hamilton spends large chunks of the book focusing on the highs she got from first competitive running and later as a high-end escort in Las Vegas and very little (if any time) focusing on the lessons she learned from these experiences or the consequences and/or impact on her life and the lives of her family and friends. While the salacious details of her year as one of the top escorts in Vegas may sell a few books, I walked away from this book feeling like Hamilton left a lot of unexamined issues and questions on the table. Continue reading
As a re-imagining of the “Table of Time” saga from multiple issues of The Amazing Spider-Man, Spider-Man: Forever Young is a bit of a disappointment.
The strongest parts of the story are borrowed directly from a couple of issues in the Stan Lee/John Romita days of ASM. Filled to the brim with angst for Peter Parker, multiple villains for our favorite web-slinger to contend with and a McGuffin to drive the story (in this case, an ancient tablet that contains the formula for a fountain of youth serum), the first half of the story is entertaining, riveting and chock full of classic Spidey goodness. Continue reading
For some odd reason, I never picked up a copy of “The Horror of Fang Rock” during my Target novel collecting days. Whether it’s because the bookstores I frequented didn’t have a copy or there were other books that got my hard-earned cash instead, I don’t know.
So, I came to the audio version of the fourth Doctor and Leela adventures without any memories of the original on the printed page.
And I’ve got to admit, this one was pretty well done. Adapting his own script, Terrance Dicks creates a bit more backstory for some of his characters and gives the reader some context as to the social norms and assumptions of the day. These additions give a greater depth to how some of the characters interact over the course of the novel.
And while his adaptation of “Horror of Fang Rock,” doesn’t necessarily create a larger canvas for the story like “Day of the Daleks” or “The Auton Invasion,” “Fang Rock” still feels a bit more substantial than others from this era that simply feel like Dicks is adapting the shooting script for the printed page.
The audio version of the story adds an extra layer of tension to the already tense story, thanks in large part to the performance of Louise Jameson. While the actress who brought Leela to life has been a fixture in the Big Finish range, this is her first Target novel reading. Based on the work she’s done here, I hope it won’t be her last. Jameson reads the story like we’re gathered around a camp fire and she’s sharing a scary tale with us. Jameson wisely doesn’t try to offer her imitation of each actor from the original broadcast but instead creates her own performances for each of her characters. It goes without saying that her Leela is a highlight of this novel.
Whether it’s believing he’s the subject of a reality TV show like The Truman Show or joining the school band to get invited to a big Halloween bash, Greg Hefley’s trials and tribulations never end. That’s good news to this reader, who despite being too old to be in the targeted demographic for the Wimpy Kid novels continues to enjoy them.
Listening to the audio version of Diary of a Wimpy Kid: Double Down, I chuckled and laughed out loud multiple times as Greg continues to grow up. Whether’s it’s conspiring to win a jar full of candy in his school’s annual balloon launch or using the Internet to convince his parents that he’s actually learning to play the French Horn, Greg’s antics never failed to amuse. And despite not having the benefit of the cartoon illustration in the printed version, I found the novel and its narration creating some hilarious moments in my head as I traveled to and from work.
I also discovered that I’ve missed a couple of releases in the series and any now eager to go back and catch up on what I’ve missed.