Like many of the fifth Doctor stories in the Target range, this is one that I simply skipped in my earlier collecting years and never got around to reading. Listening to the audio version, I can see why.
Arc of Infinity is a solid example of Terrance Dicks taking the shooting script and adapting it for the printed page with ease and professionalism. But for a story that’s a sequel to one that Dicks himself worked on during his tenure as script editor, it feels a bit wanting and thin at times. The story goes to great lengths to keep the identity of various villains secret during its four-episode run time. And translated to the printed page, it feels like there’s a lot of treading water taking place from the Doctor’s being almost taken over by Omega in episode one until Omega is dispatched in episode four. In between, there is some running up and down corridors and later along the streets of Amsterdam.
Dicks is able to consolidate much of the running about via his prose, but somehow it makes the story feel thinner than it did on-screen. I couldn’t help but find myself wishing for the Dicks who gave us “The Auton Invasion” or even “The Three Doctors” to fill in some gaps here or to give us some other reason Omega is still lurking about other than “well, we wanted to bring him back for the twentieth anniversary.”
All that said, the saving grace for the audiobook is the performance by Geoffrey Beavers. As I’ve said before, Beavers could read a take-out menu and hit the right notes of menace for a Doctor Who villain — and that is certainly the case here. Beavers does his best with the material he’s given, elevating it a bit and making the entire experience a bit more enjoyable.