Like most people, Nora Seed has regrets. She regrets giving up swimming because of the strain it placed on her relationship with her dad. She regrets calling off her wedding to Dan and working with him to start a country pub. She regrets quitting a band with her brother just as they were on the cusp of success due to crippling social anxiety.
After being laid off from her dead-end job in a music store, Nora decides that her life is no longer worth living. She sets about ending things, only to find herself at The Midnight Library. The library is a kind of way station between this world and the next, in which Nora is allowed to pick from a myriad of books that represent different choices she could have made during her life’s journey. The hope is that Nora will find a life in which she’s happier or one that helps her erase the heaviness of her personal book of regrets.
And so, Nora starts trying on lives. She can return to the library at any time if she starts feeling the life doesn’t live up to her expectations. Continue reading
Defenders of high-school journalism, Rose and Grant were inseparable — until one fateful day a few months before the end of her senior year when Rose walked away from the paper and Grant. Now, it’s the night of prom and Rose is there with someone else while Grant continues to wonder why Rose walked away from the paper and the dream of becoming a journalist. When the school is put under lockdown, it’s up to Grant and Rose to get the real story of what’s going on at the big dance out to the world.
The Last Best Story wants to a hybrid of romantic-comedy, thriller, and ripped from the headlines social commentary. Unfortunately, these elements aren’t as well-blended as they could or should have been and the entire novel comes off feeling like it’s treading water for far longer than it should have.
Part of this is how entirely clueless Grant is about his role and influence over Rose. The obvious simmering attracting between the two occasionally bubbles over in flashback, but it feels a bit like watching Who’s the Boss where it felt like every sweeps period, we’d get something that might push our leads into a romantic relationship, only to see it backed off and the status quo reset by episode’s end. It was frustrating then and it’s frustrating here — especially given that the book is trying hard to give Rose a character arc. The question of whether Rose loves journalism or loves that Grant loves journalism and it’s rubbed off on her is an intriguing one that’s brought up, but never reaches a satisfying conclusion.
Add in an almost Scooby Doo level of “I’d have got away with it if not for these darn kids” level thriller plot and you’ve got a novel that just doesn’t quite add up in the final analysis.
One of the most disappointing novels I’ve read this year.