The Barrett family seem like the typical, all-American family. That is until their fourteen year-old-daughter begins exhibiting signs of a potential possession. As questions of whether or not this is a mental-illness or a possession by a demon begin to mount, the family resorts to desperate measures — not only conducting an exorcism but also allowing cameras into the house to record the events leading up to it and the exorcism itself.
The only survivor of these events is Merry, who years later reflects on the events and her role in them with a series of interviews.
From the beginning, we know there is some horrible secret hanging over the Barrett family. And Tremblay builds a palpable sense of dread as the story continues to unfold, all the while making us question the nature of reality — from reality television shows that are edited to tell the best story to just what exactly is going on with the Barrett family. There were times that the sense of dread at what was going to happen on the next page reminded me of my first reading of Stephen King’s Cujo in my teenage years.
And yet for all the building dread and horror, A Head Full of Ghosts is keenly aware of its place within the horror pantheon. Referencing multiple horror movies and tropes, the novel breaks them down and builds them up again to give the reader a bit of gallows humor all while ratcheting the feeling of dread up a few points higher.
It all leads to a final act that is among the more memorable and unsettling I’ve read in quite a while. I can see why this novel scared Stephen King because it certainly left me feeling scared and unsettled.
And yet it’s a book that I wholeheartedly recommend — as long as you’re not faint of heart. It’s compelling, horrifying and utterly readable. Simply put — one of the best books I’ve read in a long time.